Videography Gadgets

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Thanks to Darius for reminding me about these once in a while sales from Ikan. Periodically Ikan will have a 48 hour blowout sale discounting very select items from 30-50% off. Sounds like a great deal, but here's the other catch. Those very minimal select items are also on sale in minimal limited quantities. Today the IKan Friction Follow Focus shows up on the sale page starting with only 15 available at a discounted price of 30% off. If you're looking for a simple, modular, fast to mount follow focus that doesn't require different sized lens gears for each lens you own, today could be your day.

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I've been playing with the one I have for a while and although it can be mounted in many different ways, I find it works best when using the rod adapter mount, and put onto the new Gini Rig that I have. If you don't have a basic rail mount, you can find a cheap base set over at Express35.com.

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I posted an article about my Steadicam JR auction and there was definitely some interest in that item. I also posted about a single Hollywood VS1 stabilizer that went up for auction, and somebody was lucky to grab it by the next day. Looks like lightweight stabilizers are still in demand. After posting an article and a video review from Vimeo member Kaydawgy about the Flycam Nano video camera stabilizer, those little units have been very popular as well.

Periodically I'll get comments and emails asking about where to find the Flycam Nano lightweight video stabilizers when they are sold out, so right now a few of them have shown back up on auctions. If you've missed out on the other lightweight stabilizers i've been posting about, check out the Flycam Nano stabilizers while they're around.

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find-price-button Flycam Nano DSLR Video Camera Stabilizer

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Chris writes in about a Letus Hawk VF DSLR ViewFinder purchased not long ago, and then recently received the new Letus Hawk VF quick release adapter. The new quick release adapter was a great addition, making the Letus Hawk much more flexible to work with.

If you've made your purchase through LetusDirect.com for a Letus Hawk that did not come with the QR adapter, make sure to check in with Letus. It's supposed to be a free upgrade for LetusDirect.com customers that purchased a Hawk VF, but this offer may only be for a limited time. Here's the link to the LetusDirect.com website: https://www.letusdirect.com/cart/letus-hawk.html

Another bit of news in the rumor mill is that Letus is designing a Hawk VF for the Canon T2i LCD (which is the same for Canon 60D). I'm rocking the Letus Hawk VF on the Canon 60 now with just a bit of crop, which I don't mind.
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find-price-button Letus Hawk VF DSLR ViewFinder

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Jordan M. writes in and shares a clever DIY timelapse panning rig using a simple Kitchen timer for the motor. I've seen many different DIY Egg Timer timelapse panning rigs, but I haven't seen one coupled with a Lazy Susan spinning tray before. It's a simple design and appears every single part of this DIY rig can be purchased at Walmart, so it's within everyone's budget and everyone's skill set. For those who might want to spend a bit more cash, i'm sure you can polish it up into something more fancy looking. I think it's great the way it is, and seems to get the job done just fine for very little coin. [Thanks Jordan!]

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Spinning Kitchen Tray with Kitchen Timer motor - DIY Motion Timelapse Panning Rig

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There was a time when many said DSLR cameras with video capabilities wouldn't make much sense, but look where we are today. Now we're starting to see point and shoot cameras offering more into HD video features, but it's still nothing to get too excited about. Point and shoot cameras with HD Video still aren't quite at a level to make any filmmaker go nuts - but then again there are guys spending big bucks shooting short movies and music videos through an iPhone. Here's three cameras that have already made it as winners in this years popularity contest, but should be even more popular during the holidays. If you're like me, and you've got friends asking you about what new camera they should be getting into, keep an eye out for the Canon S95, Canon G12, and Nikon P7000.


Canon Powershot S95 Images

I'll dive into some fun novelty features that these cameras have built in on a different post, but for now a quick highlight of the external hardware and basic features. The Canon S95 is an improvement over the already popular S90. Many settings can be controlled manually like shutter, aperture, ISO, and white balance. For photos, the S95 can also shoot in RAW which will give you more dynamic range to edit images in post. A friend of mine recently took the Canon Powershot S95 on vacation and found the camera's ability to take such nice pictures in it's auto settings, there was no need to shoot in RAW and edit later. For serious photographers, the manual settings and RAW photo options are great features in a pocketable Point and Shoot camera. All three cameras use SDHC media cards for storage and are HD video capable @720 24fps with HDMI out as well as a port for USB AV out.


Canon Powershot G12 Images

Unlike the other two larger cameras, the Canon S95 does not have a hotshoe option and very little analog dials / buttons to manually change camera settings. If you're willing to carry a slightly larger camera, the Canon G12 and Nikon P7000 will get you closer to that DSLR feeling. These camera have several dials and buttons dedicated to quickly change camera settings. On the Canon G12 there's a single dial dedicated to ISO, and a single dial dedicated for Exposure compensation. Another dial controls the main menu for AV, TV, Video, and one more jog dial on the back controls the shutter speed. It's not in familiar places, but with short time you'll master these controls.

Comparing the Canon G12 and Nikon P7000, the Canon can accept a remote shutter. The Nikon P7000 does not have a port for this. For travelers who want to fire the camera remotely, or control it via Intervalometer (timer remote) for some nice Timelapse photography or to trigger for HDR bracketing, the Canon G12 would be the better camera. FYI - The remote does not start video mode. Also take note, the Canon G12 uses the same connection as the T2i or Canon 60D. The intervalometer shown is one I use for the larger DSLR's found here: http://cheesycam.com/canon-60d-timer-remote-timelapse/


Nikon Coolpix P7000 Images

For video mode, the Nikon P7000 does have an external Mic input. That's a very nice surprise for someone that is planning to do more video work than photos on this smaller camera. I can see myself mounting an LED video light and a good external microphone to enhance the whole video experience. Perhaps a tiny camera cage stabilizer would make it even more fun to take around events. One super huge advantage Canon has is that this type of camera has existed for many many years. Many adapters, lenses, and accessories have been designed for earlier G10 & G11 bodies, which is still compatible to the G12. You can find some additional Telephoto adapters, Macro Filters, and Wide angle lenses for the Canon G12 here: Canon G10, G11, and G12 Adapter, Lenses, and Filters
Even the Canon OEM waterproof housing for the G11 is compatible with the G12. This already makes for a perfect underwater HD video camera on the cheap. Special wide angle lenses, fisheyes, and step up Macro filters are widely available through Canon and aftermarket companies. Since this is something new for Nikon, I can't even locate the lens adapter for the P7000 yet. Hopefully we'll start seeing some new accessories for the P7000 by end of year to further expand it's usability.

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Nikon P7000 with Ikan Fly Kit, Rode VM, and Z96 LED Light

Since the Nikon P7000 has a 3.5mm input for an external Microphone, I quickly threw on my Rode VideoMic. Next I mounted it to the Ikan FlyKit DSLR Stabilizer (I'll get to that later). With a Flexible Power Arm, I also mounted the Z96 LED video light. I have nothing interesting to record right now, but testing it out, everything works great and the image stabilization in the Nikon performed well. I'm not sure if there's a way to set the video to 'manual' mode but I did notice some exposure changes in the video while running around. I'll have more stuff to show on the Ikan FlyKit DSLR Stabilizer soon.

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IKan Elements Fly Pack DSLR Kit

I know people will be looking for information about these popular cameras during the coming holidays, so i'll have more information to come. There's a ton of things I haven't covered like built in ND filters, Hybrid Image Stabilization, registering Custom Settings, built in Effects like Fisheye and Miniature Filters, built in HDR Processing, and much much more. I'll try to get it to it soon, but there's more technical specs at the product pages below. Showing right to left Canon S95, Canon G12, and Nikon P7000.

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Click for Product Information & Pricing

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Maybe not a full Audio Technica AT875 Short Shotgun review, but more of a quick look at what to expect if you happened to grab one. I'm still building up the audio part of the JuicedLink DT454 and decided upon this short shotgun after many referrals. This AT875 shotgun microphone isn't as simple as connecting it directly to the DSLR camera, for something that simple you'll need the Rode VideoMic. The Rode VideoMic is self powered through a 9Volt battery and uses a small 3.5mm connector that goes to your cameras mic input (if available).

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Click image for Rode VideoMic pricing

You've probably heard through the grapevine that DSLR's don't provide the best audio and most are limited by the camera's built in AGC. I wanted to have a little bit more control over the audio part of shooting video, while trying to save time in post audio sync, so here's where i'm at so far. This shotgun microphone requires 12V phantom power over an XLR cable. For my setup i'll be using it mainly with the JuicedLink DT454 that supplies the phantom power, and that box will further step it down into a 3.5mm direct to the DSLR. It's also nice that this JuicedLink allows for headphone monitoring of the audio. The DT454 also can accept 2 XLR inputs, so if I need to go with a LAV, Handheld Microphone, or Wireless setup, it's all possible with this expansion box. I could use the Zoom H4n, but with the DT454, I won't have to do any post audio sync work.

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Click image for DT454 DSLR Preamplifier pricing


The AT875 comes with just the short shotgun, foam windscreen, and a padded leather bag. You'll need an XLR cable to get things moving so here's a great package that comes with an XLR and a hotshoe shockmount: Audio-Technica AT875 Short Condenser Shotgun Microphone Kit

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Click image for Audio Technica AT875 pricing

This particular shock mount that I received with the package is quite nice. It definitely doesn't bounce around as much as the Rode VM. With this microphone, it's also nice to have the option to use a shock mount or not. Something you won't get with the Rode since the shock mount is all part of the assembly. I'll try and get the audio part setup soon to run some tests, but i'm not too worried. This should be a solid audio solution for the price and definitely better than from the camera microphone.

If you're wondering about those Power Arms, you can find those here: http://cheesycam.com/flexible-friction-power-arms-for-dslr-accessories/

2 Comments

[Update] Item is gone....already sold.

One single unit shows up on eBay auctions. This little (possibly discontinued) video stabilizing Gizmo is called the Hollywood Lite VS1. My guess is the Stabilizer was out too early before tiny DSLR's started changing the video market. It functions similar to other common stabilizers with a center Gimbal handle, top stage, and lower counter weight sled. YouTube member Chung123video does a good job demonstrating the balance techniques, but no real footage to look at. From the movements though, I can tell you it's going to be pretty smooth.

How much weight does it hold? Not sure, doesn't look like much but claims it can support cameras up to 4lbs. If that's true, it should hold up better than a Hague and support cameras around the size of the Panasonic GH1 or GH2 with ease. The Hollywood Lite unit itself weighs only 2.5lbs perfect for packing up and traveling. It should definitely suffice for point and shoot video shooters and iPhone video junkies. If you can find it elsewhere, it's a pretty penny. This single on eBay is looking to accept some offers or has a Buy It Now price (I don't think it's worth the Buy It Now price). Link to Hollywood Lite Stabilizer: Hollywood Lite VS1 Video Camera Stabilizer

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Click Image for Hollywood Lite VS1 Auction

3 Comments

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Hoodman H-WS1 WristShot Camera Support System

This bowling brace looking camera support is called the Hoodman WristShot, and it's used to transfer the weight to the forearm while still allowing you to control the camera. It looks crazy, but If you think about it, it makes a tad bit of sense. For DSLR shooters, one arm is usually holding the camera weight while the other is maintaining focus. In that situation, it would be difficult to try and keep the camera stabilized. It may even aid in keeping the Horizon level on the camera and reduce vibrations from wrist movements. For those renegades who shoot solely hand held, and can't stand the restrictions of large stabilizers, this might be a helpful solution. Cost wise? I'll let you decide, following the link here: Hoodman H-WS1 WristShot Camera Support System

Or via Amazon

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Here's two videos showing some innovation around DIY Follow Focus projects. This first one (above), sent to me by Phuong H., is a DIY follow focus designed for the Sony NEX-VG10 Interchangeable Lens Handycam Camcorder. This is probably the first DIY project ever on one of them fancy shiny new camcorders. There's not much information on how you can DIY yourself, but this video might turn on a few light bulbs in your head.

The second video (below), shared by Robert J. takes the simple hose clamp DIY follow focus idea and drums up a new way of adding dry erase focus marks, so that you can wipe them down and start all over.