Videography Gadgets

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Screen shot 2011-01-30 at 4.45.44 PM
visit-button Express35.com DSLR Rigs and Accessories

If you aren't following @express35 via Twitter you might have missed the sneak peek. Looks like this adjustable camera base should be the missing link for those looking to add more vertical height to the camera position. This is a missing component with most rigs which were compensated with battery grips + quick release adapters. One nice thing is that it's both the Camera base and the Tripod mount. With the Gini rig I received, I had two seperate plates. Now it's just a matter of pricing, and hopefully bundled with the RigX components that were used on the cheap $24 dollar shoulder support....

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Vimeo member Film Cyfrowy runs through a few samples on why so many of us rely on ND Filters for video. If you're working without ND filters and need to bring your exposure down, you can try stopping down your aperture, but you'll lose all that gorgeous Depth of Field look. You can also drop the exposure by bumping up your shutter speed too, but that will give you a completely different look. To gain a little bit more control of your final footage, you can cut out the amount of light coming in with ND filters. One fast way to do this is to use the variable Fader ND filters which lets you dial in your exposure. There's pros and cons when working with Variable Faders which you can find more information about here: http://cheesycam.com/variable-nd-filters-fader-filters/

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The world of Macro (super close-up) is quite commonly associated with tiny forms of life such as insects and flowers. This video is an inspiration on what can be done in forms of story telling all shot in Macro mode by Vimeo member Emotion.

No information on what it was technically shot with, but if you're on a DSLR a lens very capable of performing at this level would be one of my favorites - the Canon 100mm F/2.8L Macro IS USM Lens.

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find-price-button Canon 100mm F/2.8L Macro IS USM Lens

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These are two of the most popular and smallest DSLR stabilizers. I'm not going to say one is better than the other when it comes down to the actual video footage. End results between these two micro flyers would be the same once you have them fine tuned and balanced. The main differences to consider between these two is cost, quality of build, time to balance, and handling.

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First no surprise here, the Flycam Nano can come in about three times cheaper than the Glidecam HD1000. The Flycam Nano comes in a bit smaller than the Glidecam but this also means it won't handle as much weight. If you want to stick to the smallest flyer but are concerned you might be pushing the limits too much, then the HD1000 might be the safer bet. The Flycam being the smaller stabilizer can pack down smaller for traveling. Of course the Flycam Nano can easily handle a 7D + Tokina 11-16mm (and then some), which is about the average weight needed for most entry level flyers. The Flycam might be a better choice for smaller cameras like the Sony SLT-A55 or Panasonic GH2.

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The Flycam build quality isn't as polished as the Glidecam. Cheaper materials, painted metal instead of anodized plating, lack of fine tuning knobs, tiny handle, and non-professional looking weights. That's what helps keep the cost down. The Glidecam is far superior in build quality, but fancy plating alone doesn't make it a better flyer.

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The Glidecam handle is much larger and more comfortable to grip. The Glidecam handle is the same width as it's larger HD2000 and HD4000 siblings making it possible to use the HD1000 with a full Vest. The Flycam has a much smaller and shorter handle designed to be used with an optional Flycam Arm Brace.

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The Glidecam HD series stabilizers also have fine tune knobs. The fine tuning knobs allows micro movements of the stage making exact placement of the camera much easier and faster to the center of balance. This is a great feature for anyone who seems to change out lenses, cameras, or accessories that require the entire stabilizer to be rebalanced. If you're pretty much set with the camera + lens combination for flying, a Flycam Nano with a quick release adapter should do the trick. No need to rebalance.

Here's a sample video with the Glidecam HD1000: http://cheesycam.com/glidecam-hd1000-dslr-video-stabilizer-demonstration/

Here's a sample with the Flycam Nano: http://cheesycam.com/flycam-nano-stabilizer-abused-with-7d-tokina/

2011-01-26 11.18.522011-01-26 11.19.06

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find-price-button Glidecam HD1000 Video Camera Stabilizer

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find-price-button Flycam Nano Video Camera Stabilizer

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Vimeo member Carl quickly throws up some sample tests between the Rode VideoMic and VideoMic Pro. He's also thrown in Rode's latest Lavalier directly into the Canon 5D Mark II which sounds awesome (but is kinda pricey). Rode themselves have even left a bit of feedback in the video comments to try another test. Using the new +20db feature in the VideoMic Pro along with the 5D Mark II audio turned way down to improve with the floor noise. This is the benefit for having manual controls over your DSLR's audio levels, a feature native to only the Canon 5D Mark II and 60D. T2i users can benefit from Magic Lantern firmware, but 7D owners need to rely on some type of AGC disable. [Thanks Carl]

[Update] Here's Carl's follow up test using the +20db setting on VMP and turning gain down in the camera. Compared to the non-Pro VideoMic there's a difference.

Another slightly different take on some audio tests throwing in a 550D + Magic Lantern in the mix. This time Vimeo member D Films starts out with an unboxing. Audio in the beginning was the ATR3350 Lav mic + Zoom H1.

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find-price-button Rode VideoMic Pro

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find-price-button Rode VideoMic

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find-price-button Rode Lavalier Microphone

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find-price-button Rode VideoMic Pro Compact Shotgun Microphone

Not long ago Rode announced a new VideoMic Pro and now it's available. Didn't I just grab a new Microphone Windscreen over my VideoMic? This does not appear to be a replacement for the already popular VideoMic, but a new microphone altogether. Smaller form factor, better shock mounting, external switches, and a new +20db setting. Price obviously is more than the non-Pro VideoMic, but the new shock mount and smaller form factor already has me sold. Unlike the large VideoMic, this new VideoMic 'Pro' won't look as awkward when mounting on the smaller GH2 camera.

More Rode VideoMic Specs can be found here: https://www.bhphotovideo.com/c/product/744768-REG/Rode_VIDEOMIC_PRO_VideoMic_Pro_Compact_Shotgun.html

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find-price-button Varizoom CrossFire Video Camera Stabilizers

If you've been hiding under a rock, you might have missed all the ads for Varizoom's Crossfire stabilizer. Seems like they are really pushing this product towards DSLR shooters. It's a hand held video stabilizer that combines a tripod as the lower weight. When you're not running around, you've got a tripod ready to go. This is another product similar to their stabilizer/monopod a.k.a 'FlowPod'. How well does it work? I don't know, but it's set at a price where i'm not willing to find out. So unless you really need a set of sticks under your stabilizer, you can find it here: https://www.bhphotovideo.com/c/product/750674-REG/VariZoom_VZ_CROSSFIRE_CrossFire_FP_Stabilizer.html

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find-price-button Vello Battery grips for Canon and Nikon

If you're in the market for a Battery grip but don't want to pay the OEM prices, you might be shopping for aftermarket. If you're a bit hesitant on choosing after market battery grips coming from overseas then maybe the new Vello line of grips might be up your alley. Available for both Canon and Nikon in select models, shipped from the big retailer B&H Photo Video should you run into any issues. Found here: Vello Battery Grips

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LCDVF (1 of 7)

Just some images comparing the latest DSLR View finder. - This is the Carry Speed VFinder next to the much more expesive LCDVF. The VFinder is a bit larger the LCDVF, but also has a much more comfortable Eye Cup. Neither loupes have a diopter feature and are mounted to the camera via metal sticky frame and magnets on the loupe. Both versions are available for 4:3 and 3:2 LCD screens from Canon T2i to Canon 7D. Of course the new VFinder is much much cheaper..


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find-price-button New LCD View Finder for Canon T2i, 5D Mark II, 7D and other 3″ LCD’s

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With the new Konova slider on the market the 717AH fluid head has become a popular accessory to complete the set. Recently there seems to be a small price drop in the WF717A Tripod + Fluid Head via Amazon. Unlike the bowl mount Fluid head, the one on the WF717A (this one) can be removed and used on your Konova slider, SpiderTrax Skate dolly, or other projects and you'll still have a very lightweight aluminum tripod + bag. Should be a standard 3/8" threaded mount.

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find-price-button Heavy Duty Video Tripod Fluid Drag Head Kits WF717A

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Kevin a.k.a YouTube member BustedToyProductions shares a quick overview of the Linco Flora Fluorescent light head. Flo's are an extremely efficient way of generating a whole lot of light, but not as easy to control if you're trying to spot a narrow area. Fluorescent lights are best used in situations when you need to spill lots of evenly diffused light over a large area i.e. Green Screen, Product Photography, or Beauty Type shots. Dimming for the Linco Flora is controlled by switches that turn off a number of lights at a time. The quick open softbox (almost Brolly type) is pretty cool, and should make break down quick and portable, but just make sure to keep the bulbs safe - these won't take a beating like LED lights. Great stuff though, and unlike Halogen or Tungsten lighting, these will generate less heat for close up use and small areas. [Thanks Kevin]

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find-price-button Linco Flora Fluorescent Lighting Heads, Kits, Softboxes, Boom, Stands