Equipment Reviews

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Just got an email this morning again asking about how I like the Cheap 3pc Lighting kit that I talked about a short while back. For the price of a single 500 LED light, you can get this set of three - all dimmable with diffusers. There's pros and cons to all lighting, this is a cheap entry level set but very flexible to integrate into any project. Since then there's been many questions about how well they work, and people wanting to see more examples. So i've been trying to show a few things that i've used them for when possible.
First I showed a video where I used it during a Zoom H1 vs. Tascam showdown here: http://cheesycam.com/tascam-vs-zoom-h1-audio-samples/
I think I also showed the kit in use during an EA Sports interview about the new Need for Speed game here: http://cheesycam.com/need-for-speed-hot-pursuit-bts-interview/

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Cheap 3pc Lighting Kit on set with Linda Le

Here's another lighting sample just shot last night in the studio. With just continuous lighting (no strobes) I was able to grab a few Photos for some BTS footage. Last night we worked with the fun and lovely Linda Le in which she'll be featured in a video / photo / interview profile. If you're a Comic Con type fan, I believe the anime inspired costuming is known as 'Cosplay'? I'll show you guys that stuff later, because I know we're all more interested in the Equipment, rather than photos and videos of random beautiful women.

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Green Screen area

We made quite a mess of things with backdrop stands setup, several different lighting sets, a green screen area, and more. When using the 3pcs Lighting Kit off on one end of the studio I grabbed the Canon 60D with Canon 85mm F/1.2 to take a few snaps. No flashes here, just all ambient from the lighting kit. There were just two additional lights for the colored gels behind. Just goes to show it's not just for video use, but can be effective in a bit of fun photography as well. The kit comes with 3 Lights, 2 Softboxes, 3 Light Stands, 1 barn door, a travel case, all with dimmer switches. For small projects, it's a great cheap set that gives you a little bit more creativity to your projects found here: http://cheesycam.com/new-800w-barndoor-softboxes-3pcs-lighting/

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Photos taken with lighting from cheap 3pc Lighting Kit
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find-price-button 3pc 2400w Dimmable Video Lighting Kit Softboxes

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find-price-button 2400 watt 3 lights Continuous Video Light Kit

Kit + Green Screen
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find-price-button 2400w Green Screen 10 x 12 ft Lighting Kit

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Lately, Ikan has been putting more effort into expanding DSLR accessories, especially Camera Support Stabilizers. Here's a recent Demo video talking about more additions to their 'Elements' line of DSLR targeted stabilizers and their F3 friction follow focus system, which mounts 'every which way but loose' (old Clint Eastwood reference). You can find some of their configurations and accessories over at B&H: Ikan Elements DSLR Support Stabilizers

You can find more information about their Friction Follow Focus here: F3 Friction Follow Focus

Or you can follow Ikan at their WordPress blog where they'll be talking about some of their new products here: https://ikancorp.wordpress.com/

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60d (13 of 13)

Now that the Canon 60D has had time to hit the streets, emails are coming with questions about the Canon BGE9 Battery Grip. Unfortunately it's still too early for something aftermarket, but here's a closer look at the pricier Canon BG-E9 OEM grip.

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find-price-button BG-E9 Battery Grip For Canon 60D

For those who were wondering about how much extra height this grip adds to the DSLR body, I have two Canon 60D's side by side. Buttons and switches are similar to other Battery Grip models, but the most different feature is that it uses the LP-E6 batteries (same as 5DMarkII & &D), but loads the battery tray in from the sides like a Canon T2i. When they said they would make a camera in between the T2i and 7D, they weren't kidding.

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I've updated the video from the earlier post to include a Canon 7D HDMI output test (at the end of the video). Instead of just updating the old article on the Canon 60D HDMI output, I thought this Canon 7D test would be interesting enough to just re-post the results all over again. Here i'm using my Vizio LCD TV as the external display. The Canon 60D has the same results as a 5DMark II and Canon 550D/T2i. The 7D does not drop to the 480 resolution. Although the monitor is 'detecting' the 1080i output, I have heard that it's highly compressed with artifacts to be something worth capturing from. I have no interest in capturing from the HDMI port, so I haven't spent time confirming that quality. I will say though that it is a nice feature built into the Canon 7D if you're planning on using External monitors.

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find-price-button Canon EOS 60D

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find-price-button Canon EOS 7D


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Some of you might have already caught this video, since i'm late to post it on this blog. There's still questions about 1080 monitoring on an external LCD monitor and 480SD monitoring while in record mode. This is the same for the other Canon DSLR's. They show 1080 if just monitoring and when playing back a video clip, but will drop to 480SD while in record mode. Some people don't notice this on tiny LCD's, because the camera will maintain the same aspect ratio. Here's a look on my HDTV that i'm using as an external monitor in the studio.

I love the larger screen when shooting stuff, and it's only $169 at Costco. I have DIY monitor mount that i've made to a simple flash light stand. The only problem is you won't be traveling with this type of monitor, and you'll need a good power source handy too. For stationary shots in the studio where I don't need to travel, it gets the job done and I can focus well with it. This LCD I have is not 1080, but who needs it for monitoring since it can't maintain it anyways during recording. If you're happy with those Lilliput monitors, those LCD's don't display 1080 - I think the Lilliput is 800x400 resolution. This is a 720p LCD which I think makes the image better since it doesn't need to scale from 1080 to 480.

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DIY DSLR follow focus systems are just one of those fun projects we try and tackle, and at the same time keep it simple and under a few bucks. One of the hardest parts to tackle is the ergonomics of controlling the lens with a 90 degree transmission of some sort. Thanks to a tip from dslrdiy.co.uk for pointing out this interesting DSLR follow focus setup with a basic fishing reel from Vimeo member Kemal Güven Erakbaş. Come to think of it, fishing reels are probably one of the most refined 90 degree transmissions. Smooth bearings can crank pounds of tension with ease, can be fairly quite, and speed crank included! Long focus pulls can be done with ease. Some big manufacturer out there needs to reverse engineer this crank into an entirely new Follow Focus transmission.

You hear the operator throwing out some queues on what item is quickly being focused on and it seems to work smooth and fast. Since you're listening to the audio from his camera, you'll notice there isn't much noise from the fishing reel. I guess he didn't set the drag, LOL. Yes it does look quite odd, but with some effort, there's probably more ways to break the molds of these fishing reels down further, or possibly just adding wheels and gears if you're going for a different look. It's definitely a clear path a cheap DIY follow focus system which already lives in the corner of your garage.

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Obviously something you're not going to be shopping for at the Camera stores, so cheapest bet probably lies over at eBay. I'm not an expert fisherman, but i'm assuming any decent reel with the switch off will have a reversible option. There's some closeout prices over at eBay for a bunch of Quantum Reels found here: Quantum Fishing Reels at Closeout Prices

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I've been using the Zoom H1 and Tascam DR-08 as 'body packs' instead of using a Wireless setup. I'm still using the old Audio Technica ATR-3350 Lavalier Microphone setup, and I have to say that i'm quite happy with the workflow. You just can't beat this combination for the price and speed in getting things setup. For more demanding audio, of course I have a different set of tools. In my book, I found a clear winner as far as the type of work this combination is being used for, and it's the Zoom H1. Why? Leaving it at the highest bitrate for basic short audio capture provides you under 1 hour on a 2GB microSD card and they both work great. You can drop down the audio bitrate and grab yourself more time, but what if you really need even more? Well I just shot a few events in which this setup was used, so to be safe we needed to go with the 8GB MicroSD Cards that I showed in this post: http://cheesycam.com/canon-60d-shipping-actually-shipped/. BTW, they've been working flawlessy and such a good price for those microSD Cards.

Unfortunately, possibly a Tascam Firmware issue, the Tascam DR-08 could not see the 8GB microSD card. Only the Zoom H1 was able to see and utilize the full 8GB providing 4 times more recording time. You never know how long it's going to take for an event to get started, or how long until it's over, so I just felt safer with the unit that can house the larger microSD card. Here's another tip that's a bit related. Regular batteries don't stand a fair chance with today's electronics. I hear many people complaining about how fast a battery grip with AA's, LED lights, or an Audio Recorder can run down batteries very quickly. I push the Eneloop batteries not only because they are rechargeable, but because they DO hold 4 times more capacity than a regular battery. If you want to use your Zoom H1 as a body pack, give it a fighting chance and put some quality batteries in.

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Buy Zoom H1 via Amazon
Buy Zoom H1 via BHPHOTOVIDEO
Buy Zoom H1 via eBay

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Buy Sanyo Eneloop Power Pack Kit via BHPHOTOVIDEO
Buy Sanyo Eneloop via Amazon

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Wow, we've got some really creative people out there. I'm shooting an event today (which i'm supposed to be doing right now), but I really had to take time out and share this idea. Evan Burns sent me an email about trying to solve unstable footing for his camera slider. Of course the first thing that comes to mind is to use multiple tripods or lightstands, but he's got a better idea. Taking a tip from my recent SpiderTrax Dolly DIY with a pair of sawhorses, Evan stumbles on to a really great 'cheap single sawhorse' with individual adjustable legs. The entire unit collapses into a single rail. He's using a few clamps to keep things together, but i'm thinking go for it and just permanently bolt that bad body down. The slider works even when the sawhorse is collapsed which I think makes for a great DIY platform for ground use. Good job Evan, thanks for making me late today too! Check out the video above, here's the link to the unit: Heavy Duty Steel Adjustable Saw Horse

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click image for pricing

If you don't already have a slider, this is based on IGUS linear guide rails. IGUS has been so popular with camera sliders, they are now providing several kits in different sizes to make this DIY camera slider much easier to build. Here's the link: IGUS Camera Slider Kits

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find-price-button Igus Camera Slider Kits

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Genus Variable ND Filter

I've collected quite a few lenses (and cameras) in the last year, and it's about time to grab more Variable ND filters instead of swapping them and sharing them during the workflow. Variable ND filters or 'Fader Filters' are Neutral Density filters used to block out light for better exposure. You will find ND filters built in to professional video cameras, but DSLR's lack this and it's an important filter to use when shooting video. Especially if you're trying to achieve a more film like look with your camera, this will help control your shutter speed on bright days. Variable ND filters are great because they are adjustable to perform like several different ND filters wrapped up in one, but if you've got time to add and swap you can use standard ND filters too. There's three big names that come to mind when shopping for these filters which are Singh-Ray most expensive, Genus, and LightCraft Workshop. Here's what you should think about when shopping for your Variable ND Fader Filter.

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77mm Fader ND Mark II

Depending on where you shop, the Genus and LightCraft might be very close in price, but the Singh-Ray is the most expensive by an additional $200+ dollars. Some things to keep in mind when choosing a Variable ND are the quality of the glass used, color temperature change, and vignetting when mounted. These three brands have really good reviews, but I haven't tested them side by side to do a full pixel by pixel comparison.

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Singh-Ray Variable ND Filter

Quality of Glass: For video use on wide lenses, you may not immediately notice a difference, but when using some type of magnified lens (macro and some zooms) you could find loss of sharpness. Especially if used in high megapixel photography, there will definitely be a difference. This is because you are adding an additional 2 pieces of polarized glass over your lens, and the quality of those 2 pieces will affect final image.

Color Temperature Change: Without getting too technical, as you turn the filter it changes the amount of light that is allowed through. Some of these filters could have slight color changes which means you will have to correct your color balance each time. It could be very marginal and even done in post without most people noticing.

Vignetting: The newer versions of these Variable ND filters are built over sized to prevent vignetting. LightCraft calls this their 'Mark II' and Singh-Ray calls this their 'Thin Mount'. So a 77mm lens will end up having something like an 82mm Filter at the tip. This means you will lose the ability to place your stock lens cap and also use of any stock lens hoods. These filters are great for controlling exposure, but shading the front of the lens with a hood or matte box is just as important to maintain contrast and color. Keep in mind about those extra items you'll still need to shop for. If you use the older versions, you should be fine with the lens cap, but most likely not the hood unless you're using an aftermarket mount like the ones in this article: http://cheesycam.com/hoods-covers-caps-and-pouches/. I would definitely think about going with the newer filters with the larger glass, but just beware if you think you've found a cheaper deal, it might be the older version.

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List of Variable ND's at eBay:Variable Neutral Density Filters
List of Variable ND's at BHPhotoVideo: Variable Neutral Density Filters
List of Variable ND's at Amazon: Variable Neutral Density Filters

If you're just experimenting with ND variable filters, there's also a DIY article I posted here where you can make your own. Of course you'll probably suffer some softness, color changes, and vignetting, but for less than $10 dollars it's a great project to jump into. Here's the DIY Link: http://cheesycam.com/diy-fader-nd-variable-nd-filter/

If you're not ready for Variable ND filters, at least grab a set of basic ND filters. Having more than one will allow you to stack them to block more light, or unstack them to allow more light. Just be careful of that vignetting. Click here for a list of Standard Neutral Density Filters.

#####New Product Alert####
Quick Note: There is a new brand of these Variable ND filters showing up online for 'HALF' the price. This is the first time i'm seeing them online, but it looks exactly like one of the brands above. If anyone has tried these, send in some demo videos. I'm going to give a try on one of these to see how it works out. Here's the link: New 'Cheaper' Variable ND Filters
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click image for pricing