About time I had my own Dry Erase slate a.k.a Clapper a.k.a ClapBoard. I ordered this 9 x 11 dry erase slate from Amazon
Cheapest of all the ones i've found is the very generic White 9 x 11 Director's Clapboard via Amazon (below).
GoPro LCD BacPac – Now Available
Thanks to a tip from John - Twitter user @itsjohnny2, The long long awaited LCD BacPac from GoPro is now available and in stock. Not much to say here, but damn it's about time!
GoPro HD Cameras and Accessories
This is going to open up a few new doors to what you can do with the GoPro., but it does make that lens more prone to dust and scratches. Shouldn't be a huge deal for you non-sports GoPro users like Timelapse stuff or Steadicam Flying. Here's a video of Cinevate flying a GoPro on a custom stabilizer: https://vimeo.com/16013644. I bet they wished they had the LCD screen back then.
Whoa wait wait..I think they do have a rear casing to support the LCD BacPac into the water proof enclosure. Yup, it's all there. Now you can have your LCD underwater too.
GoPro HD Cameras and Accessories - GoPro.com
BTW, did you know some folks actually sell Polarized and ND filters for the GoPro? Makes sense, especially on super bright days found here: GoPro ND and Polarized Filters
ikan ID 400 and ILED-ONE
What do you think about ikan's new 4 Bulb LED location light? It's a different take on LED lighting than traditional panels. Pretty clever to be able to swap bulbs not just for color temperature but also for beam angle. The ID-400 comes complete with remote, lighting unit and light stand adapter and one set of tungsten flood bulbs. The bulbs are interchangeable and can be changed easily in the field. Other bulbs including daylight, spot, daylight flood and tungsten spot are sold separately. Can also be powered through optional Battery mount.
It doesn't stop there. The bulbs can also be used with Ikan's new ILED-ONE. A custom hot shoe mounted LED bulb housing that allows you to replace the bulb from Daylight to Tungsten and beam angles from 40 to 60. Power pack is sold according to battery type you'll be using from Sony, Canon, and Panasonic.
Budget Crane Review and Tips
YouTube member kellyhuffaker throws up a nice (and totally amusing) review of the budget crane I purchased a while back. I've used it only a few times, but didn't get around to sharing much. I like the idea of using the panning bearing (in this video) over a Fluid Head since it saves on cash. You'd need a very large head to support this kind of weight like a Manfrotto 501 or larger. Great job on this video, the tips, and the comedy. [Thanks Kelly]
Tompter Teleprompter – DIY Prompter
What is a Teleprompter? In some situations, it could be a life saver. Especially when you're renting a location and time is limited. Teleprompters are extremely useful tools when you're working with a host or anyone that needs to read off lines while looking directly into the camera's lens. Most green screen shows like Tosh.0 or Talk Soup have these types of tools. Many ENG reporters are setup with prompters too. You might think that placing a sheet of paper close to the camera's lens would be just as effective, but try it and you'll see that little bit of offset is very noticeable. If you've ever had to wait on a host to memorize lines or had problems nailing a speech, you need to start looking into Teleprompters.
Teleprompters use a reflective angled mirror to display text from a screen while the camera is positioned behind this angled glass. The camera does not see the reflection and looks pretty much normal shooting through the beam splitter. To optimize the reflection, the entire rear panel needs to be covered and prevent any light from hitting the back of the angled reflector.
Here's a DIY teleprompter from Tompter.com. This version I have uses a bent sheet of heavy acrylic with a special tint film to act as the beam splitter. The one i'm showing is an unfinished version of the 'Tompter' and was sent to me to show me how effective this DIY setup is. The finished versions which can be purchased normally includes: Monitor, Stand, Acrylic Mirror & Bag assembly, and 10' VGA cable. That's pretty much everything you need to start shooting except for a laptop. All for not a bad deal (considering you get a monitor too). You can check out some other Teleprompters here at B&H. Free teleprompting software can be downloaded from various websites, all this information is at Tompter.com.
Acrylic itself may have many cons, mainly because it's not as scratch proof as glass and can collect dust. There are advantages to using acrylic though, and even the super high end Teleprompters which run thousands, sometimes provide the option of acrylic over glass for durability. If you're shooting in a war zone, acrylic might be the better type of material to carry around. The special beam splitting tint film on this Tompter is very effective even when the lights in the studio are on. Even when two 1000 watt lights are aimed at it's direction the text was still very readable. I did not notice any color shifts or much loss in exposure. Now the one I have here is an Acrylic based Prompter, but if you need Glass there's also a higher end Glass beam splitter available from Tompter too. By the way Tom is pretty open about making these and is working on a DIY video to share. If you have questions about making your own, you can contact Tom at for more information about Tompter below.
I'm going to finish this version up with a light stand mount and put this thing to use! To keep my iPad from falling out, I figure i'll just add some velcro to the back of this iPad Hard Shell Case.
DIY Teleprompter Kit w/ LCD Screen, Stand, Prompter - Tompter
NextWaveDV Linco Flora Review
NextWaveDV.com reviews the Linco Flora Fluorescent lights and puts them against some very expensive Kino's. (Hey, I get a shot out too!). Although not a true match against the Kino's, the Linco's seem to hold up very well through the tests. Looks like a solid design with a great output at a budget filmmaker price. Unlike cheaper FLO's, these Linco's seem to be more tolerant to higher shutter speeds with less banding. Keep in mind I believe they are testing at 1/1000ths shutter speed, which isn't something you'll be using with 'in studio' video.
Adjustable Height DSLR Camera Tripod Base
Express35.com DSLR Rigs and Accessories
If you aren't following @express35 via Twitter you might have missed the sneak peek. Looks like this adjustable camera base should be the missing link for those looking to add more vertical height to the camera position. This is a missing component with most rigs which were compensated with battery grips + quick release adapters. One nice thing is that it's both the Camera base and the Tripod mount. With the Gini rig I received, I had two seperate plates. Now it's just a matter of pricing, and hopefully bundled with the RigX components that were used on the cheap $24 dollar shoulder support....
Speedlite Flash Modifier Kit
If you've been experimenting with Flash photography, you might start to gain interest in light modifiers. With different types of modifiers you can shape the light and target exactly where you want it to be. I know some guys who carry between 4-8 speedlite flashes (or more) when on assignment. My favorite modifiers for small speedlites are honeycomb grids or snoots. These create a somewhat spotlight effect perfect for hair, rim lighting, or background seperation.
If you're running around at an event, the most common modifier is the large diffuser. So that you aren't casting harsh shadows, you'll need a Stofen, Light Sphere, or Globe. Here's a great kit for a great price and even comes with a set of colored diffusing panels. We often use colored Gels over speedlites, but these colored diffusers seem to work in the same way allowing you to add different colors to the background without having to change out the whole roll. The video seems outdated with the $100 dollar price tag, as they can be found much cheaper now.
Flash Kit Softbox, Colored diffusers, Snoot, Grid, Globe, Barndoors, and more
With and Without the Fade
Vimeo member Film Cyfrowy runs through a few samples on why so many of us rely on ND Filters for video. If you're working without ND filters and need to bring your exposure down, you can try stopping down your aperture, but you'll lose all that gorgeous Depth of Field look. You can also drop the exposure by bumping up your shutter speed too, but that will give you a completely different look. To gain a little bit more control of your final footage, you can cut out the amount of light coming in with ND filters. One fast way to do this is to use the variable Fader ND filters which lets you dial in your exposure. There's pros and cons when working with Variable Faders which you can find more information about here: http://cheesycam.com/variable-nd-filters-fader-filters/