FotoDiox has designed a clever Nikon AutoFocus Lens to Sony E-Mount Adapter. The adapter communicates with the Nikon lens so that you can make all your adjustments through the Sony camera menu and dials. To adjust the iris on the autofocus Nikon lens, a tiny motor inside of the adapter mechanically adjusts against the iris lever. The new FotoDiox Fusion Nikon G-Mount AF-I / AF-S to Sony E-Mount Lens Adapter is available now (found here).
All ready for tomorrow. #Sony #A7sII @cametv Cage, @shapewlb Follow Focus, #KayoMaxtar V-Mount, @rokinon CineDS Lenses, @blackmagicdesign_news #videoassist Monitor, #LanParte #MatteBox, #JuicedLink XLR Audio Preamp. So the cool thing is you can power the #BMVA monitor with a direct D-Tap to V-Mount while simultaneously powering (charging) the #Sony #A7sII via USB off the same battery. No power management needed or Sony dummy batteries.. @satostudios
If you find yourself swapping lenses throughout a project, or cutting between multi-camera angles you'll find your footage will be easier to match looks if you have a matched set of lenses. Color, Contrast, Sharpness, and more could look quite different if you're just using a random set of mixed lenses. Probably the most talked about affordable set of lenses for video use are the Rokinon Cine DS Lenses. The 'DS' is a more improved version of the original Rokinon manual photo lenses that has better optical coatings and have been 'matched' to have a more consistent look across the set.
Even though I feel Canon L series lenses are optically better, I ended up selling many of my Canon L series Autofocus lenses just because I wanted to work more with Manual Focus lenses, de-clicked apertures, with a matched 'look' when doing video projects. Not to mention I haven't been shooting much with Canon DSLRs. In fact, just one Canon 85mm F/1.2L lens paid for an entire bundle of Rokinon Cine DS Lenses. That's just how affordable a complete set is.
If you're working with many of today's mirrorless cameras, these lenses are highly adaptable and cover a full frame sensor. Unlike camera bodies, lenses like these also hold their values really well, so I feel it's a good investment for people starting out in video. You can always sell them off later if you decide to upgrade to set of true Cine Primes. Though, it's not uncommon to see just how many people are throwing these lenses on even high end cameras like the BlackMagic Design or RED these days.
So if you're looking for a decently matched set of lenses for video work, the '4pc Lens Bundle' is currently discounted an Instant Savings of -$350 OFF which includes the most popular Rokinon focal lengths 24mm, 35mm, 50mm, and 85mm (found here).
I could remember just a short time ago it was a struggle to find an affordable interchangeable lens camera with 4K internal recording. Even the original Sony A7s didn't offer this, and the Sony A7RII had issues with overheating when recording in 4K. The Sony A7sII is an excellent camera but the price tag of $3,000 is not quite budget friendly. For quality internal 4K recording on an ILC there are cameras such as the Panasonic GH4 or G7, but it's also a smaller sensor camera which some people aren't fans of.
Sony's recent announcement of the A6300 with 4K internal recording at just $1,000 dollars is very exciting news. 4K Video Internal recording (100Mbps) with an APS-C sized sensor (throw a speedbooster on this one!), offering up with SLOG2/SLOG3 with 14 stops of Dynamic Range, and 120fps HD (100Mbps) high frame rate are just a few notable features. It is certainly offering a lot of what the more expensive A7sII has, with some features far better like the new Auto Focus system.
Now there are some features that are limited such as no headphone out port, and 30 minute video clip lengths. It's not clear if the videos longer than 30 minutes will continue, or if it will just stop. But by using and external recorder, you could probably get around that. Regardless of some of the small cons, for the price there's a lot to like in the new Sony A6300 that could pull a good market share away from current some Panasonic GH4 shooters. This is a camera I think will work very well next to my A7sII and i'm planning on getting one, unless of course Panasonic announces a killer GH5 soon and then i'll have to rethink...
While I see many people switching over to the Panasonic GH4 and Sony A7 series cameras (like the A7sII/A7RII), there's one product that I wanted to remind people about - the FotoDiox ND Throttle. When shooting with Sony cameras, especially in SLOG, the minimum ISO could be anywhere from 1600-3200. SLOG is such a great option to have, but means you really have to deal with ND Filters to keep a wide aperture and proper shutter speed.
The easiest and most simple solution that I know of is the FotoDiox ND Throttle. The FotoDiox ND Throttle is a variable ND Filter built right into a lens adapter, and allows you to dial in your exposure without changing your ISO, Shutter, and Aperture. Of course this only works if you are adapting a Full Frame lens to the Sony or Panasonic, and not using a native lens.
It doesn't matter if you're working with a Canon EF autofocus lens, a manual Rokinon Lens, or even high end Cinema Prime Lenses like the
XEEN, Canon CN-E, Zeiss CP.2, etc. The FotoDiox ND Throttle is one simple adapter that I highly suggest all Sony A7 series or GH4 shooters look into and find the time to try it out. Even if you're not using it all the time, I think you'll find it's worth keeping in the gear bag.
So while I think Canon L lenses offer great image quality, you can get a (4) piece Rokinon Cine DS Lens Bundle Set for about the price of one Canon L Lens. The DS line from Rokinon are designed to be color matched, same exposure ranges, common focus and iris gear positions, a de-clicked aperture, etc. For me personally I feel they are better for video than standard Autofocus Photo Lenses (image quality aside). If you're looking into a set of Rokinon Cine lenses, I highly suggest starting with the 'Cine DS' line for the reasons stated above.
The image quality is great, and I think you'll really appreciate the longer focus (pull) throw, and de-clicked aperture which lets you set F-stops in smaller increments than you can with auto focus lenses. The built in gear ring is great for follow focuses, and the standard positions make it easier to swap lenses without moving your FF around each time.
Now if you really want to step it up a bit, the Rokinon XEEN Cinema Prime lenses have a standard physical size, lens diameter, better optics, less breathing, etc. To date they are probably the most affordable Cinema Prime Lenses that cover a full frame sensor. They have a 114mm Diameter which is exactly the same as a Canon CN-E Prime, or Zeiss CP.2. You can find great deals on XEEN Lens Sets via eBay (click here).
Today I received the new Varavon Zeus Cage designed to fit two of the hottest cameras on the market today - the new Sony A7sII and A7rII. While i'm working on another product overview video, I thought I would have some fun unboxing the new Zeus Cage.
So if you're not a fan of unboxing videos, you may want to skip this article. Otherwise here's a neat unboxing technique that was done all in 'one single continuous take' with no cuts in the video.
There are so many cool features in the Zeus cage, and i'll be sharing more of that information soon in another video. For now you can get more information about the Zeus Cage for the A7sII and A7rII (here).
Ok well, it certainly doesn't look as cool as the final results. But it's quick, dirty, cheap, and easy. The entire unboxing took less than a minute and in the end had a cool little video. I just let it circle around while I unboxed the #Zeus. #PicoDolly #GH4 #Rokinon Fisheye 96fps @servocity Continuous rotating servo with servo speed controller.
Today retailers have opened up official pre-orders for the new Sony A7sII Camera. This camera is more than a mere upgrade from the previous A7s now with 4K internal recording, new SLOG3 profile, 120FPS 1080p, better ISO in low light, and 5-Axis In Body Image Stabilization (IBIS) - just to name a few. For still photographers, it will also have 14 bit RAW. I'm pretty sure this camera will be a tough one to get your hands on after it sells out.
- 12.2MP Full-Frame Exmor CMOS Sensor
- BIONZ X Image Processor
- Internal UHD 4K30 & 1080p120 Recording
- S-Log3 Gamma and Display Assist Function
- 5-Axis SteadyShot INSIDE Stabilization
- 0.5" 2.36m-Dot XGA OLED Tru-Finder EVF
- 3.0" 1,228,800-Dot Tilting LCD Monitor
- Up to 5 fps Shooting and ISO 409600
- Fast Intelligent AF, 169 AF Points
- Built-In Wi-Fi with NFC
In related news, if you're looking for a Cage system for the new Sony A7sII, the brand new Varavon Zeus Cage has been confirmed to fit perfectly and was displayed at IBC 2015.
Find the Varavon Zeus Cage for Sony A7sII (here).
Varavon Zeus Cage for Sony A7RII and Sony A7sII
The original Sony A7s is still an outstanding little camera, but with the announcement of the new Sony A7s II, i'm sure existing Sony A7s owners might be thinking about upgrading. I'm a Sony A7s owner, and here's a few reasons why I think it's worth the upgrade.
First, you now have the option of 4K internal recording. We don't have enough information just yet about how long it can record or if it will overheat like the A7RII, but either way 4K internal is a damn good option to have when you need it.
Next there's 5-Axis In Body Image Stabilization (IBIS). I have been using this in the new Sony A7RII and I can't tell you enough how much this new feature can help with your footage. If you move around a lot, work with a shoulder rig, hand held, or just like older lenses with no IS, the 5-Axis IBIS will be your best friend.
The new Sony A7sII also has the option of SLOG3, which offers up a flatter profile than SLOG2 while offering more detail and information in the shadows. The new A7sII also has a base ISO of just 1600 instead of 3200 which is way more manageable if you have to shoot outdoors on a bright day.
For slow motion there's the new addition of 120FPS in full 1080p. Previous cameras (including the A7RII) can only shoot 120fps in 720.
The new Sony A7sII also has faster AF for movie mode over the original A7s.
Even though the A7s was known for being the low light king, the new A7sII is even more improved for low light shooting.
So that's just a short list of new features that I think should sway many A7s owners to go for the upgrade to the new A7sII. I myself have been convinced already to go for the upgrade. Any other existing A7s owners looking to do the same? Leave a comment below.