I still love the look coming out of the BlackMagic Design Pocket Cinema Cameras, but I'll admit that i'm pretty lazy to take the cameras out as much as I could. The batteries have incredibly short run times, the large camera files eat through SDXC cards, the tiny low resolution screen makes it hard to set focus and practically disappears under bright lights.
For me to solve this, I use an external battery, Atomos Ninja HDMI Recorder, and a better EVF screen. This adds up to a lot of parts that I still need to find a way to mount as ergonomically as possible. Throwing a few pieces together, here's what I ended up with.
Even though the system was relatively small, it was still somewhat awkward. After shooting for a full day, I realized the style of shooting on one particular project did not require the camera operator to move around within a few feet. So I decided a better way would be to split up the equipment, which makes the camera setup smaller, and now offers the benefit of a remote Director's monitor. Here's a video look on my new setup.
The shoulder pad is the flexible PNCGear.com Hybrid Pad which can be folded up to use against the chest, or folded down to use over the shoulder.
I'm using the HDMI output from the F&V SpectraHD EVF with a 6 foot HDMI cable over to the Atomos Ninja2 Recorder. This now serves both as a directors monitor and an external recorder which is both cheaper and larger than any SD Cards I can afford.
With the Atomos mounted in a CMR Monitor Yoke, I have room to add a 14V Sony BPU battery to power up the BMPCC for hours and hours.
I find this setup to be perfect for the type of shooting I do with this camera, but still easy enough to disconnect if I want to run the BMPCC on it's internal battery and record to internal SDXC cards.
You can see in this BTS photo sometimes space is too limited for a tripod, and it's also nice to move the camera around instead of having it completely static. The photo shows the old rig, but I feel my reconfigured setup will now be easier for this type of workflow and shooting style.
Here's a few first day tests using the BlackMagic Pocket Cinema Camera with @satostudios. The samples may not make sense, but I was sampling different MFT lenses, Canon FD Lenses, and ND Filters for sharpness. Also testing out different ProRes LT vs HQ settings to see how much exposure and color difference there was when I threw a slight color grade on it. There is also a Film Grain Scan thrown over the graded footage so it will purposely appear 'grainy'. I decided that we just have to suck up all the large data and shoot ProRes HQ all the way for the rest of the project.
So while a dual operator setup may not be ideal for live events where you are constantly on the move, this setup can be beneficial when you have time to plan your shots with a crew. It keeps the camera rig small so that it can easily go from handheld, to slider, to tripod, etc. It allows you to work in very confined spaces and fairly ergonomic to switch between low angles or off the shoulder. It may also be easier to pack up your gear into two separate cases without having to break anything down.
Hopefully this may inspire some of you guys to rethink your rigs as well. Remember that this is not limited to the BMPCC. The GH4 can output 4K 10bit from HDMI, Sony A7s requires an external HDMI Recorder for 4K, and even cameras like the Canon 5D Mark III can benefit using recorders that capture to ProRes HQ. Instead of throwing everything on one rig which can quickly get heavy, oversized, and awkward to work with, it may be easier to split up your HDMI recorders, power solutions, second display, and even Audio Recorders off camera.