These little dollies are cheap, but because they aren't fixed to the stand you want to make sure you're using it on a fairly smooth surface. If you want to make them a bit more secure, you could screw on some cups (pvc end caps?) onto the dollies to keep the legs inserted. It's a great tip for moving around something like a director's monitor, but probably not something you want to use if your c-stand is elevated too high with a heavy object. But it's nice that these can pack up in my c-stand bag, and I can opt to throw them on depending on the location i'm setup at.
Generally speaking if a specific product sells a lot, it's safe to say it's a good indication that it's pretty good. And if you're wondering what those items might be, according to this recent report from B&H, here are some of the current Top Selling Products in various categories.
Just in case you're looking for a Macro Lens, here's a few video samples I shot with the Rokinon 100mm Macro CineDS (manual focus) Lens. A dedicated macro lens will let you get much closer to an object than your standard prime or zoom lens.
I'm an avid shooter of Panasonic Mirrorless cameras since the GH2, and then picked up the GH3. When they announced the GH4 I purchased (3) of them immediately for my multicam projects. Then when they announced the GH5 and GH5s, I picked those up as well! Obviously, i'm a big fan of Panasonic mirrorless cameras, but at the moment I have to admit i'm not (yet) sold on this new full frame S1 and S1R. It's not overly exciting video features, and for a stills camera it probably doesn't compete with what Sony offers. But what do you guys think?
47.3MP Full-Frame MOS Sensor
Venus Engine Image Processor
5.76m-Dot 0.78x-Magnification OLED LVF
3.2" 2.1m-Dot Triaxial Tilt Touchscreen
UHD 4K60 Video Recording
ISO 100-25600, Up to 9 fps Shooting
Contrast-Detect 225-Area DFD AF System
Sensor-Shift Image Stabilization
Lumix S 24-105mm f/4 Macro O.I.S. Lens
Join us for an exciting evening celebrating B&H and the Sony Alpha community! Try out the latest gear from Sony onsite to capture themed photo and video vignettes as well as dance performances. Get inspired by talks and panel discussions with Sony Artisan and Collective members. Mingle and create new connections with the B&H, Sony and the New York photo community. Enjoy complimentary food, beer, wine and soft drinks. (Guests must 21+ to enjoy alcoholic beverages)
Event Date: Wednesday, February 13th Event
Location: Hudson Mercantile, 500 W. 36th Street
Time: 5:00pm - 9:00pm
Panel with 3 Collective Members | 6:30-7:00pm
Panel topic: How to step up as a creator today
Artisan Talk with Katrin Eismann | 7:15-7:45pm
“Shoot and Share” Camera to Social Media workflow: Learn how to quickly, download, process and share your best shots on social media
Artisan Talk with Ben Lowy | 8:00-8:30pm
Going from Photo to Video
Currently Sony offers the A6300 and also the A6500. Coming out with a new model called the Sony Alpha A6400 sounds a bit backwards, but i'm guessing because it lacks the in-camera sensor stabilization that the A6500 offers. I don't see that as a deal breaker as most of these small cameras end up on gimbals, and today's mirrorless lenses offer Image Stabilization already. And though it is missing in-camera IS, it does offer some interesting features that the A6500 does not have.
The new Sony A6400 has a built in timelapse feature. Normally with Sony mirrorless cameras, you would need to download an app or use an external intervalometer. The A6400 also includes the HLG profile for those who want to dabble in HDR video. They also say they have improved on the quality of the 4K video on the A6400. The LCD now flips over the top of the camera (selfie-mode) which is handy for them vloggers and product reviewers. One other thing i'm hearing is that this camera has removed the 30 minute time limit during video recording (I hate that in my A7R3), which will make it a more suitable camera for long interviews.
24.2MP APS-C Exmor CMOS Sensor
BIONZ X Image Processor
XGA Tru-Finder 2.36m-Dot OLED EVF
3.0" 921.6k-Dot Tilting Touchscreen LCD
Internal UHD 4K Video & S-Log3 Gamma
S&Q Motion in Full HD from 1-120 fps
Built-In Wi-Fi with NFC
Real-Time Eye AF
425 Phase- & Contrast-Detect AF Points
Up to 11 fps Shooting and ISO 102,400
I placed a single 1ft Came-TV Andromeda (5600K) behind the subject for hair light (rim light). Then I placed a single 2ft Andromeda LED light in front of subject as Key + Fill. These light bars throw a very broad soft light, so if positioned correctly you can make them work as a key without harsh shadows where you would normally need a fill light I set it horizontally and slightly angled, and just moved it around until I got the look I wanted. LED Lights:http://came-tv.com