With Real Estate interiors you always try to make the spaces look big. Normally I would do interiors on a gimbal with a Panasonic GH5 and 7-14mm Lens.For this setup I tried the Sony A6500 combined with the Sony 10-18mm Lens. It's not a bad combo if you're into this type of stuff...
A video clip shot over 6 years ago. Now that we have 180fps slo-motion in cameras like the #Panasonic #GH5, in-body image stabilization, and warp stabilizer in post, I bet this technique would look pretty cool with today's cameras. Might be a killer shot on a dance floor (First Dance at Wedding?)..Gonna have to revisit Skater Dollies...
The Senal SMH-1200 Enhanced Studio Monitor Headphones are tuned for accurate music reproduction and studio monitoring. With a closed-back, over-the-ear, foldable design and features like interchangeable twist-locking cables, extra deep ear cushions, and a refined musical frequency response, the SMH-1200s are suitable for both audio professionals and enthusiasts.
Using 40mm Neodymium drivers, the headphones deliver a wide frequency response of 10 to 20,000 Hz with minimal distortion, a slightly boosted low end for well-defined bass and sub-bass, a smooth and pronounced midrange, and a clear intelligible high end. The extra deep ear pads provide comfort while wearing the headphones for extended listening sessions and help passively isolate the sound from external noise.
Lucky to have a few talented friends over helping us practice with some of our new #LiveProduction equipment, and trying out best software settings with #OBS. During our tests, there were a lot of things we could (should) have done better, differently, or more efficiently. "Practice is key, don't be afraid to fail, it's all part of the learning process". #LearnByDoing #PracticemakesPerfect . . #livestream #liveswitching #LiveProduction #Atem #AtemHD #Ursa #Ursamini #ursamini46k #ifootage #multicam @dvestore @cameramotionresearch @ifootage_international #blackmagicdesign #Osee @elvinreyes @iamretep @cametv @aputurephoto
I'm still testing out different equipment for my Live Switch / Live Stream projects. In this BTS Video, the equipment Used: (3) BlackMagic Design Ursa Mini 4.6K Cameras, a motorized iFootage Shark Slider, BlackMagic Design ATEM HD, Blackmagic Design Web Presenter, one single Aputure COB120D LED Light (with beauty dish), and an OSEE Monitor (used for multiview).
Another #Mutlicam #LiveProduction #liveswitching event done. Once again, the @kraneamg #amg750 Gear Cart makes transporting gear a breeze. It would suck if we had to carry this gear from the parking lot to the venue. Turns on a dime, easy to navigate, folds in half, and carries a heavy load.. . #krangeamg #kraneamg750 #gearcart #equipmentcart #pelican #ursamini #ursaminipro #ursaminipro46k
Don't break your back or wear yourself out moving gear! The AMG 750 Cart is a multi-use gear cart that can convert into 3 different modes and hold up to 750lbs. It folds down compact enough to fit in a small trunk.
How much do I like the #UrsaMini46K camera? I like them so much, it made sense to have (3) of them for many of the projects i've been working on. (Don't bother with the 4K version. The 4.6K is a major difference in DR and sensitivity). Available at http://DVEStore.com . . @dvestore #blackmagic #blackmagicdesign #UrsaMini #UrsaminiPro #ursa #liveswitching #atemstudio #dvestore
When you're doing 'Live Production' and switching multi camera angles, you don't have the luxury of matching camera 'looks' in post. The 4.6K Ursa Mini is even so different than the Ursa Mini 4K sensor in dynamic range and low light sensitivity, it's a hard camera to match. I've also found myself using the Ursa Mini 4.6K so often, I thought it would be great to have a B-Camera that matched during interview setups. Finally I just ended up picking up a 3rd one for other projects that need 3 camera angles. I was able to purchase all of these BlackMagic Design Ursa Mini 4.6K cameras over at http://DVEStore.com
The new Ursa Mini Pro 4.6K cameras now accept SDXC Cards. This is an excellent option to have as CFAST cards are still not going down much in pricing. It's almost 4x cheaper going with SDXC Cards. You won't be able to record the highest resolution, codec, or framerates, but for many projects ProRes HQ is good enough.
The #Decimator #MDHX is truly the 'Swiss Army knife' of video tools for anyone who deals in Live Switching. Sometimes you're asked to connect a feed from an unknown output, or mix your feed. The #MDHX can cross convert HDMI to SDI (or vice versa), as well as Scale resolution and framerate (up and down). You can make all the changes right through the menu and lcd. Without any instructions I pretty much figured it out in a few seconds.. peep @dvestore http://DVEstore.com for a large variety of #Decimator products..
If you've ever had to mix video signals (i.e. into an ATEM Live Production Switcher) or need to cross convert a cable (HDMI to SDI or vice versa), Scale Resolution up or down, or even adjust framerates. These Decimator MD-HX devices will help you do all of these things. A must have tool when shooting events on location.