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One of the drawbacks of shooting with the BlackMagic Design URSA, URSA Mini 4K/4.6K cameras are the requirement to use CFast cards as recording media. I guess you can use an external 4K recorder, but that's not going to allow you to record Full RAW. Even cheap 256GB CFast cards capable of handling the URSA will run about $600 dollars/each (seen here).

In the video below, i'm showing you the Atoch C2S Adapter that allows you to record to SSD Drives instead of expensive CFast cards. With this setup, you'll still be able to record in any format the URSA offers, including full uncompressed 4K RAW at 60p.

Yes I know, it's an additional accessory you need to mount to your camera, but can literally save you thousands of dollars in storage costs. It may not be a full replacement for every situation, but when you're just working handheld or on sticks, it's the most inexpensive way to capture high quality footage from the data hungry BlackMagic Design URSA Cameras.

If you're the type to shoot mainly in low quality ProRes, lower framerates, or just 1080 then almost any SSD drive will work. But in order to capture the highest quality from the URSA 4K RAW 60fps, then you'll want to choose a decent SSD Drive. Recommended is the Sandisk Extreme Pro drives or the Samsung Pro SSD drives.

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Sandisk Extreme Pro drives

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Samsung Pro SSD drives

With about 960GB of storage (2 480GB SSD Drives), you're looking at around 2.5 Hours of 4K ProRes HQ at 24p. Every so often I may switch to 4K 60p, or 1080 120fps, but I seem to have enough footage for a decent project. The quality coming off the " target="_blank">BlackMagic Design URSA Mini 4.6K is so nice, I don't even mind shooting in ProRes LT if I need more than 2.5 hours. But even if I had to buy more storage, i'm literally saving thousands of dollars using the Atoch C2S Adapter and recording to SSD over CFast.

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learn-more-button Atoch C2S - Cfast to SSD Drive Adapter Ursa / Ursa Mini Cameras

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Here's a look at a few new DJI OSMO accessories, a few old ones, and how it all comes together for a nice 4K capable travel stabilizer. The Z-Axis Arm is an add-on to help smooth out any up/down jerky motions caused by walking. I feel lightweight gimbals are more prone to this movement as there is not enough mass. The Z-Axis is similar to the ISO arms you'll find on a Steadicam Vest.

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The Extended Battery Adapter is a great addition if you already have DJI batteries (Phantom, Inspire1, etc) and want to shoot all day. But with the new firmware update that is supposed to give you longer run time on the stock batteries, you may not need the external battery.

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The Extension Adapter will allow you to get better position for mounting some of your items. I think relocating the Phone mount behind the rear of the OSMO is a great spot and you'll be able to tilt as needed.

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The Universal Mount comes with two cold shoes that will let you mount additional accessories such as an LED Light or the Rode VideoMicro - which is also sold on the DJI website now.

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These are only a few items I think I would be using, but there is a number of expanded accessories available now from Bike Mounts, Car Mounts, Magic Arms, and even camera/gimbal upgrades to the new X5. Check out the DJI OSMO accessories page (here).

dji osmo buy now preorder priceDJI OSMO Price review video sample
learn-more-button DJI OSMO for X3 X5 X5R Camera Gimbals

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Just a quick intro on the Cool-Lux Lux Gears. These can be added over the focus ring if you're working with non-cine lenses and have to use a follow focus system. It's a flexible material that is still firm enough to where it won't slip under your FF. They make a variety of sizes so that they can fit perfectly with your lens.

They have a basic Lens Compatibility Chart showing which Lux Gear should work with most popular lenses. But if you can't find your lens on the chart, you can also print out a ruler (on their website) that will let you measure your lens and select a proper size. You can check out the Cool-Lux Lux Gears following the link (here).

Cool-lux lux gear cheesycam review
Learn-More-sm Lux Gears - Cool-Lux Seamless Follow Focus Lens Gears

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When i'm in a bind and need an ND filter to fit over my wide angle lenses, here's a little tip on how I make a custom Wide Angle filter adapter. Most people will just tape an ND directly to a lens, but this method allows you to put one on and take it off just as quick. It a simple process that works with basic card stock formed into a cylinder and cut to size. [The firmer the card stock the better..]

Now what you want to make sure you do before starting this project is test the filter that you plan on using. These wide angle lenses must use oversized filters, and for my Panasonic 7-14mm i'm using an 86mm Variable ND. If you have to go bigger than this, Fotodiox makes ND Filter sizes up 145mm (found here).

Normally we've gone as far as 3D Printed adapters, but when you're pressed for time this works all the same. This trick works on just about any wide angle or fisheye lens so long as you have an oversized filter. You can use this method to hold circular or square filteres. It will also work on many Cinema Prime lenses that don't have front threads.

If you really want to get creative, you can make one of these attached to a step up filter ring (instead of directly to a filter). Now that you have a filter ring, you can swap the front filter with different types (polarizers, different density static NDs, gradients, etc).

Sorry again for the weird audio, shot this with an iphone in hand as one of those spontaneous things. Hope the tip helps, leave some comments.

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Although this CAME-OPTIMUS Gimbal i'm working with is an early prototype, it's been a solid workhorse. I've been putting it to the test on several Real Estate listings shooting up to 6 hours a day on a single battery.

I'm using the CAME-OPTIMUS Gimbal mainly with the GH4 or Sony A7s and have not had any issues so far. For small mirror-less cameras like the GH4 or Sony A7sII with native lenses, I'm guessing this could turn out to be a very popular item.

Here's a recent video I helped out with from BluSkyFilms showcasing many CAME-TV Optimus gimbal examples along with some footage from the DJI Phantom 4.

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A prototype extension adapter that sits between the DJI OSMO and it's handle. This way you can still hold the gimbal comfortably and operate the joystick for Pan and Tilt.

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Everyone eventually needs external hard drive space. For most people it might just be basic storage. But if you're a Photo / Video editor you might be interested in fast performance. Or perhaps you're concerned about protecting data from an important project and you want to have a backup mirrored drive (redundancy).

Here's a sub $100 dollar Dual Hard Drive Dock that can do all of those things, while still remaining flexible depending on your needs. With built in hardware, it's incredibly easy to setup. All you need to do is insert blank drives, flick a few dip switches, and press button to initiate your Drive Setup choice.

The Xcellon allows you to dock either larger Desktop 3.5" or smaller 2.5" drives. It even works well with Sandisk Solid State Drives (SSD). And the Dock makes it easy to swap like an old video game cartridge if you happen to store data across multiple drives.

The benefit to these drive docks is you'll end up saving money by just buying bare drives with no enclosures. When your drives are not in use, you can store and protect them in dedicated Hard Drive cases (like these).

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Learn More 3.5" / 2.5" Hard Drive Storage Protection Cases

If you're even more organized, you can create several different types of external storage and swap between them depending on your needs at the current time.

Using JBOD, the dual drive dock is your basic external hard drive. For each hard drive, you'll see a different Storage Drive on your computer.

Using Span is basic storage but takes both drives and only shows you one single external drive on your system. So that you don't have to think about which drive your footage is store in.

If you're looking for fast performance from your drives while editing videos / photos, then you might want to setup two Drives in a Raid0. This will allow your system to send data between both drives simultaneously. But keep in mind there is no redundancy here.

If you're more concerned about redundancy (mirrored data), then you'll want to choose a Raid1 setup. The data written to one drive is automatically duplicated to the other in case of a hard drive failure. A great way to ensure your important client data is safe.

Not quite as fast as Thunderbolt, but the Xcellon Dual Hard Drive Dock is setup to take advantage of increased capable speeds with the latest Type-C USB 3.1 (and backwards compatible).

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Learn-More-sm Xcellon USB Type-C Dual Drive Docking Station

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When you're looking for effective light diffusion while keeping things simple and fast check out the new D-Fuse Instant Pop Up Softbox for LED light panels. Like many softbox kits, the D-Fuse uses rods to create a structure and hold the diffusing material a distance away from the source. Using a unique (patent pending) design, the length of the rods found at each corner setup and break apart through strong Magnets, and the rods remain as part of the Softbox when folded up. No no loose parts to lose or misplace!

I highly suggest diffusers like this for anyone using LED Light Panels during interviews that are facing directly towards your subject. Bare LED Bulbs are pretty hard on the eyes, and the last thing you want is your subject squinting or ending up with a headache. You'll immediately see a difference in how soft the shadows are which is also more flattering for many subjects.

  

The current D-Fuse Pop Up Softbox for LED Light Panels is designed for popular 1x1 LED Panels, but they will be releasing additional sizes and adapters to fit other popular sized LED Panels as well. But seeing how it's mostly a Velcro fit, i'm sure this current version can easily be modified to use with just about anything if you can't wait for the other sizes to become available.

This is a brand new product. Right now there's a special introductory price (limited time / limited QTY), and an even better deal if you choose a 3pc combo pack. You can find the new D-Fuse Instant Pop Up LED Light Panel Softboxes over at PNCGear.com (click here).

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Learn-More-sm D-Fuse Instant Pop Up LED Light Panel Softboxes

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Zeiss Batis 85mm f/1.8 Lens for Sony E Mount
Watch Zeiss Batis 85mm & 25mm Hands Of Review Video - B&H Explora

Updating a tried-and-true optical design for use with full-frame E-mount mirrorless cameras, the Batis 85mm f/1.8 Lens from Zeiss is a portrait-length, short telephoto lens featuring a fast f/1.8 maximum aperture for greater focus control and enhanced low-light shooting. The innovative design of this lens features an OLED display that highlights the focus distance and depth of field range for quickly recognizing your focusing parameters, and its autofocus performance is benefitted by linear motors for fast, smooth performance. Pairing the Sonnar concept with a floating elements design, this 85mm f/1.8 is also particularly adept at controlling aberrations throughout the focusing range, while a T* anti-reflective coating minimizes flare and ghosting for ensured color accuracy and heightened contrast. Rounding out the feature-set, this lens incorporates optical image stabilization to minimize the appearance of camera shake when working with slower shutter speeds and a dust- and weather-sealed construction lends itself to shooting in less-than-ideal environments.
zeiss batis 85mm
Zeiss Batis 85mm f/1.8 Lens for Sony E Mount B&H # ZE8518B

Zeiss Batis 25mm f/2 Lens for Sony E Mount
Watch Zeiss Batis 85mm & 25mm Hands Of Review Video - B&H Explora

Pairing the tested Distagon concept with contemporary functionality, the Batis 25mm f/2 Lens from Zeiss is a wide-angle prime designed specifically for full-frame E-mount mirrorless cameras. The innovative design of this lens features an OLED display that highlights the focus distance and depth of field range for quickly recognizing your focusing parameters, and its autofocus performance is benefitted by linear motors for fast, smooth performance. Four double-sided aspherical elements within a floating elements design help to control aberrations and distortions throughout the focusing range and contribute to even edge-to-edge sharpness and illumination, and a T* anti-reflective coating reduces flare and ghosting for increased contrast and color neutrality. Ideal for architecture, landscape, and interior photography, this lens' 82° angle of view pairs with a 7.9" minimum focusing distance for producing creative perspectives and unique close-up imagery. Additionally, for working in inclement conditions, the lens also features a dust- and weather-sealed construction.
zeiss batis 25mm f2
Zeiss Batis 25mm f/2 Lens for Sony E Mount B&H # ZE2520BFE

Sigma 50-100mm f/1.8 DC HSM Art Lens
Sigma 50-100mm and new MC-11 Adapter Article - B&H Explora

Pairing a versatile range of telephoto focal lengths with a fast constant maximum aperture, this 50-100mm f/1.8 DC HSM Art Lens from Sigma is designed for APS-C-format Canon EF-mount DSLRs, and provides an 80-160mm equivalent focal length range. The bright constant maximum aperture offers consistent low-light performance throughout the zoom range and also affords greater control over focus placement for shallow depth of field and selective focus applications. Complementing the versatile telephoto range is a sophisticated optical design that incorporates three F Low Dispersion elements, one Special Low Dispersion element, and one high-refractive index, high-dispersion glass element. This combination of low dispersion designs works to noticeably reduce chromatic aberrations and color fringing throughout the zoom range, as well as deliver a high degree of contrast and clarity. Additionally, a Super Multi-Layer Coating has been applied to lens elements to reduce lens flare and ghosting to benefit working in strong lighting conditions. An unprecedented combination of focal length and speed, this 50-100mm f/1.8 lens offers a variety of favored telephoto perspectives in combination with a flexible maximum aperture.

sigma 50-100mm f1.8
Sigma 50-100mm f/1.8 DC HSM Art Lens for Canon EF B&H # SI5010018DCC
Sigma 50-100mm f/1.8 DC HSM Art Lens for Nikon F B&H # SI5010018DCN