Spark is a mini drone that features all of DJI's signature technologies, allowing you to seize the moment whenever you feel inspired. With intelligent flight control options, a mechanical gimbal, and a camera with incredible image quality, Spark empowers you to push your creative boundaries.
With FaceAware, Spark lifts off from your hand by recognizing your face. It takes off and hovers in place within seconds of powering on.
Take amazing aerial photos using just hand gestures, without a remote controller or mobile device.
Create with Ease
Intelligent Flight Modes and intuitive controls help you create cinematic aerial videos with just a few taps.
Edit and Share
The DJI GO 4 app features automatic editing templates and an array of filters. Quickly edit videos and share them straight to social media.
Intelligent Flight Modes
Smart, reliable, and incredibly intuitive
Videos with a Tap
Let Spark take professional shots for you. QuickShots help you shoot amazing footage with cinematic composition.
Ascend with the camera pointing downward.
Fly backward and upward, with the camera locked on your subject.
Circle around your target.
Fly upward, spiraling around your subject.
Flight at Your Fingertips
In TapFly mode, just envision your shot and Spark captures it for you. Tap your phone screen and Spark, using vision technology, flies in the direction of your tap or exactly where you tapped while actively sensing obstacles. Capture shot after shot with just your fingertips.
This particular Tri8C model from Aputure I received feels like it has a concentrated beam angle which is good for getting your lights to reach a bit further. Though, I wouldn't be surprised if they offered different versions of this light with varying beam angles, as they've been known to do with their other panels (i.e. 672S vs 672C vs 672W).
On the Tri8 light you have a clamp for a power brick (which can be swapped to a v-mount plate), color temp adjustments from 2300K-6800K, brightness dimmer knob, dedicated on/off rocker switch, and a battery meters that display Hour+Minutes instead of just a graphic icon.
The LED panel is powered via a D-tap cable either from a mounted V-Mount battery, from the included AC to D-Tap power adapter, or by using dual Sony L-Series Batteries. They've included a set of Sony NPF-960 batteries as part of the kit. Your Sony batteries can be recharged by mounting it to the Tri8 panel and plugging into AC power.
Compared to their popular LS1 Lightstorm Panels, the big difference here is that you can power the Tri8 from Sony L-Series (NP-F) Batteries or V-Mount batteries. The LS1 can only be powered via V-Mount. Also the Tri8 has all of the controls built into the panel, as opposed to a separate controller box that you need to hang.
Especially when i'm working on Live Production on location, i'm always thinking about where my ATEM setup would be. Sometimes you have to bring your own table, but here's an alternative option - a full 3 shelf Folding Portable Rack.
These racks are light enough to carry and fold down quickly to transport in your car. They setup just as fast without tools and is a good way of keeping your bags together and off the floor. The wheels make it easy to move gear about, and there's been times where i've even gone as far as using cable bike locks with my hardcases to ensure they don't wander off. I'm showing my Medium sized version, but the smaller version (only a few inches shorter) starts at around $40 dollars. They come in a variety of sizes, but for travel and to maintain a low center of gravity it's better to stick with the small to medium models with casters.
Another new DJI drone will be announced this wednesday, and from the teaser video it looks to be a lot smaller than the DJI Mavic Pro. Many people are saying it will be named the 'Spark', but they are pushing the hashtag #SeizeTheMoment. Tune in for their next Live Event on Wednesday, May 24th.
I shoot with (3) BlackMagic Design Ursa Mini 4.6K cameras, and that comes with a few challenges. When traveling I do like to have all my gear in one case, but it's not always ideal when our shooters have to split up. A single case to hold 3 camera setups also gets heavy real quick.
When we run into these situations we need to pack each of the camera rigs into separate bags. Because of the size of the Ursa Mini 4.6K cameras we typically have to break them down to fit into most bags or backpacks - which really slows you down during production. So over the last few weeks i've been searching for various bags that can accept a fully 'rigged' camera.
After searching through a few possible large bag choices from companies like Porta Brace and Think Tank, I happened upon the Tenba Cineluxe 21 and asked B&H to send me one of these bags for me to test out. What is most intriguing about the Tenba Cineluxe 21 that this bag can operate as a Shoulder Bag or a Backpack, and when worn as a backpack your hands are free to carry extra items such as your Tripod and Lighting gear.
It's an excellent fit for the height, width, and length required by Cinema or Professional Camcorder style cameras like the Ursa Mini Pro 4.6K or even Sony FS7 without breaking them down and has decent space for your accessories. Once your camera is placed inside, there is a strap to lock it down. The exterior dimensions fits Carry-On requirements when you need to fly with your gear.
When compared to the options from the other top camera bag brands, it also happens to be more affordable as well. I think Tenba has a winner here in the Cineluxe 21.
Product Description The Senal SMH-1200 Enhanced Studio Monitor Headphones are tuned for accurate music reproduction and studio monitoring. With a closed-back, over-the-ear, foldable design and features like interchangeable twist-locking cables, extra deep ear cushions, and a refined musical frequency response, the SMH-1200s are suitable for both audio professionals and enthusiasts.
Using 40mm Neodymium drivers, the headphones deliver a wide frequency response of 10 to 20,000 Hz with minimal distortion, a slightly boosted low end for well-defined bass and sub-bass, a smooth and pronounced midrange, and a clear intelligible high end. The extra deep ear pads provide comfort while wearing the headphones for extended listening sessions and help passively isolate the sound from external noise.
When I first moved from Canon DSLRs to Sony Mirrorless cameras, I often adapted my Canon lenses using a metabones adapter. Mainly because back then the seelction of good E-Mount 'Full Frame' lenses were small. But over time Sony continues to expand their line of full frame e-mount lenses and with Sony's excellent auto focus system, you just can't beat working with native lenses. One of my favorite lenses is the 16-35mm but at F/4 it wasn't the greatest. Now Sony has just announced a new 16-35mm F/2.8 GM (G Master) version and this is definitely a lens to add to your kit if you're working with Sony E-Mount full frame cameras like the A7s / A7sII. Just in case you want something event wider for e-mount Full Frame, they've also dropped a new 12-24mm. Check out both of Sony's new lenses (here).
Here's a quick sample shot with the new Panasonic GH5 Camera using 48fps in VFR (variable frame rate) shot with the CAME-TV Prophet Gimbal and using the PVGear ND Filter Adapter with the Panasonic 7-14mm Lens. The ND Filter allows me to keep my shutter speed in control on bright days. I shot this using the 'Natural' profile in the GH5 at 4K 8bit. I later adjusted the color and exposure using just the basic FCPX Color Board.
Considering the low bitrate of internal 4K 8bit recording, I think the samples clip above held up really well pushing around the exposure and color. I can only imagine how much better the quality will be when the new Firmware with high bitrate 10bit drops this summer. The colors of the GH5 is much different than the GH4 camera, which always had a shift to orange/reds. It feels closer to Canon color science. The dynamic range seems to have improved and it's far better in low light and cleaner at high iso when compared to the previous GH4 camera, but still not as good as sony in low light conditions.