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I think this new Panasonic Lens will replace my favorite Panasonic 7-14mm F/4 when flying my new GH5 on a Gimbal. The new lens is faster at F/2.8 at it's widest, adds a bit more reach, but most importantly offers filter threads for ND filters. It's not often you'll find a wide angle lens that accepts ND Filters. I don't mind that it's not as wide, as the new Panasonic GH5 camera can operate in 4K Video Mode without adding additional crop (as the GH4 used to). The new Panasonic 8-18mm lens is also dust and splash proof as well.

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Learn-More-sm Panasonic 8-18mm F/2.8-4 Wide Angle Zoom Lens

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Libec has announced a few new Remote Controls that can be used for a variety of applications such as controlling zoom and focus on many Sony, Canon, JVC, BlackMagic Design, and Panasonic cameras. You can also use the remote to Start and Stop video recording.

The new Libec Remotes are designed to be mounted on a Tripod Pan handle and can even be clamped onto the handle of a Gimbal Stabilizer. As an example, the ZC-LP remote can be used along with the new Panasonic GH5 camera to start and stop video, and when used with compatible Panasonic Servo Lenses, you can control zoom in and out remotely.

ZC-LP on Pan HadnleZFC-L description
Learn-More-sm New Products: ZFC-L, ZC-LP, TH-X ZFC KIT

Product Descriptions
The new remote controls ZFC-L and ZC-LP are our most innovative remote controls yet. These sleek designed controllers feature an Invert Switch that allows users to change the zoom direction when the control unit is attached in a top grip or underslung position. Thanks to a new Double-Sided Zoom Rocker design, when used in a top grip or underslung position, users gain the ability to zoom with their fingers, not just their thumbs. Moreover, these controls offer users smooth zoom and speed movements by simply tilting the zoom rocker.

In addition, the connection clamp can be attached to round pipes up to 45mm in diameter, wide enough to even fit the HFMP Monopod center grip. Zoom controls are equipped with a REC Start/Stop button and a 0.7m/2.3’ length cable. The Libec ZFC-L is a Zoom Focus Control compatible with LANC (Sony, Canon, JVC) cameras. The Libec ZC-LP is a Zoom Control compatible with LANC and Panasonic cameras. With all the added features, applications, and benefits, be sure to take these handy zoom controls on all your shoots.

For additional information about the new Libec Remote Controls, visit the product page at http://Libec.com (here)

For a limited time only, Libec Sales of America (U.S. only) is now offering a couple of great bundles on Shopify!
Libec is offering special deals on their newest models showcased at NAB Show next week. By simply adding $10 US dollars when purchasing an HFMP KIT Hands-Free Monopod or a TH-X Tripod System, you you'll be the first to own their new ZFC-L Zoom and Focus Control for Sony, Canon, and JVC LANC video cameras! ZFC-L Official release date: June 2017.
Why wait? These special bundles are now in stock while limited supplies last, shop here:
https://libec-online-shop.myshopify.com/

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Learn-More-sm Libec Limited Time Bundle Kit Offers

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Experimenting with different color profiles found in the new Panasonic GH5 Camera before I run out to shoot this weekend while traveling. I'm just looking for a flat profile that could offer the most latitude without adding too much noise. I think what's helpful in this video is the waveforms and vectorscope showing how the different profiles affect exposure and saturation.

panasonic gh5 lcdpanasonic gh51489673138000_1324860
check latest pricing Panasonic DC-GH5 Camera/a>

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One of the first things you'll need when opting to use a Blackmagic Design Ursa Mini camera is the battery mount. Searching online you'll see options running from $100 to $1,000 dollars for a battery mount.Some plates work like power distribution boxes and offer additional voltage outputs. But if you're not looking for fancy, you can use any battery plate. I personally have been using cheaper v-mount battery plates starting at just $8.00 dollars.


Of course using a barebones plates will require you to solder the connections to the (included) break out cable found in your Ursa Mini box. If you're not confident about your soldering skills, you may want to skip this and just pick up one of the many Ursa Mini Battery Plates (found here).

If you're looking for those $8.00 v-mount battery plates, you can find them (here).

cheap v-mount platecheaper ursa mini v-mount battery platev-mount ursa plate
Learn-More-sm DIY V-Mount Battery Plates

dvestore ursa mini
Learn-More-sm Blackmagic Design Ursa Mini 4.6K

[ Just for the record, this is my second time doing this on an Ursa Mini. I've been using a cheap $8.00 dollar plate on my first Ursa Mini 4.6K since last year, and have absolutely no issues. Over the years, i've actually purchased more than a dozen of these v-mount plates. Some examples are changing the A/B gold mount Aputure Lightstorm Panel and modified it to V-Mount. I took the A/B mount off of an OSEE Director's Monitor and changed it to V-Mount.. ]

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I remember purchasing my Canon 100mm F2.8L Macro with Hybrid IS specifically because of the added image stabilization with one of the best close focus lenses. Lately though, I don't find myself using it very much as i've strayed away from Full Frame Canon DSLRs and have been using cameras with Super 35 or APS-C sensors (or even smaller). That 100mm F/2.8L lens with an added crop is often just too much.

This new Canon EF-S 35mm F/2.8 Macro IS STM Lens (56mm equiv) though could be a nice lightweight lens to use with my Ursa Mini. A lens that can focus up close, and still offer a decent portrait look. The big stand out feature of the new Canon 35mm F/2.8 EF-S Macro though is the built in LED lights. Very clever!

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check latest pricing Canon EF-S 35mm F/2.8 Macro IS STM Lens

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I've used quite a few different (somewhat affordable) wireless video transmitters, and the one that seems to be most consistent with long range has been the Connex Kits. There is a full size Connex version capable of 1,000m LOS range, and a newer Connex Mini that transmits 500m LOS range (that's still quite a distance!). There are some short comings to the Connex system when using it for video cameras, as these kits were originally designed for Drone use streaming full 1080p up to 60fps.

Some of the cons for on-camera video use are that it requires a battery, but there are no battery mounts. Also there are no standard mounts to attach to your video rigs. Finally it doesn't transmit audio (if you need this). But for distance, reliability, performance, and price the Connex kits are darn good. To make life easier, Camera Motion Research created a special frame and battery kit for us shooters.

The latest mod for their Connex Mini kits is adding an SDI to HDMI converter. This allows someone like me to now use the Connex Mini kit with professional cameras that only offer SDI out, and does it in a clean, simple, and easy way. All of the new hardware is still within the custom modded frame kit, and it's all powered by a single cable (via D-tap).


I'm often running Multicam Live Switching at events and one of the biggest headaches is runnning SDI Cable across the floors. It's not easy running cables and taping them down. This also prevents the cameras from being mobile. But with a wireless video kit, you can move freely around the event. With this new mod, you basically have a tiny high performing wireless HD video kit that can support both HDMI or SDI inputs. Here's a test of latency below.


Keep in mind that in my latency test, the Connex Mini does not transmit audio. My audio source is coming in from another input into the ATEM Switcher. Both feeds were recorded to a Hyperdeck Mini and you can see it's just about perfect in sync. With this type of setup, that camera is now free to roam up to 1600 Feet away from the receiver, and we can still Live Switch during a Live Production.

If you are working with the Connex Wireless HD Video kits, and you experience latency, that could possibly be caused by your camera's output. Some cameras will have a 3-6 frame delay and you'll notice this when connected to any monitor. I personally have moved to working with the Ursa Mini cameras for my Live Production, as this camera offers almost no delay on SDI output, and with SDI I can do long runs up to 300 feet (HDMI limit is around 12 feet).

You can find out more about the Connex Mini kits over at http://CamotionLLC.com

connex_mini_20170323_576x591connex_mini_sdi_kit_350x275Learn-More-sm Camera Motion Research Connex Mini Kits

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If you're working with a gimbal and monitor, then you might be interested in super thin and flexible HDMI cables. If your cables are too rigid, this could influence the fluidity of your camera's movement on the gimbal frame. I've purchased quite a few different ones, and while many claim to be thin (which they are), they are not necessarily 'flexible'. CAME-TV now offers super thin and flexible HDMI cables in a variety of connections and length.

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Learn-More-sm CAME-TV Super thin and Flexible HDMI Cables

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For the price, no other mirrorless camera offers so many features than the new Panasonic DC-GH5. If there is anything you want or need to know, I suggest tuning in to the LiveStream Panel event with B&H. The embedded video will be live today, March 29th.

As someone who has been shooting with the Panasonic GH4 for years, there's plenty of reasons to upgrade to the new GH5. For myself, the features i'm looking forward to are the wider field of view in 4K video mode. The GH4 would crop in tighter and in order to shoot wide, I would always have to switch back to 1080. I'd also have to drop down to 1080 whenever shooting 60p, but now the Panasonic GH5 offers 4K/60p internal recording. The in-body image stabilization is going to make handheld work with my manual lenses much easier, and the GH5 will also provide much more professional Audio inputs with the (optional) adapter. See the new Panasonic GH5 over at B&H (here).

panasonic gh5 bodypanasonic gh5 lcdpanasonic gh51489673138000_1324860
check latest pricing See the New Panasonic DC-GH5

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Aputure has released several versions of their DEC Lens Adapters, but in case you're not familiar with what they are and how they work, i've put together this Product Overview video. This video specifically focuses on the brand new DEC Vari-ND Model (available in MFT and E-Mount), but is very similar to the other models - especially the LensRegain version which is a Focal Reducer (a.k.a Speed Booster) Lens adapter.


Who's it For?
The way the product DEC Lens Adapters are designed, I think primarily it should really appeal to camera operators that need the ability to adjust focus with a wireless remote. Obviously it's not at the level of a professional Wireless Follow Focus system, but it at least offers decent focus controls at a minimal cost in an incredibly compact form. Even cheap wireless follow focus systems can still run well over $1200 dollars and require additional rods to mount, and additional power to run the focus motors.

The wireless remote and clamp can be attached as a handle to your gimbal, on a Steadicam, end of a Jib, or even to just the Pan Handle of your Tripod. Additional features such as iris adjustment on your Canon EF (or compatible) lenses can be handy when you are transitioning a camera movement from indoors to outdoors, or to just change your DOF. But now with the new Vari-ND version (electronic variable ND Filter) you have another dimension in which you can control your exposure and all through a wireless remote.

About the Vari-ND Filter
Traditional Variable ND Filters placed on the front lenses use two rotating pieces of glass that cancel out light as you rotate. While this is simple and effective, there are some drawbacks to how much variation you can have, how much color shift happens, and most importantly how much softness occurs because of how the two additional pieces of glass affect the incoming light (image).

The ND Filter inside of the DEC Vari-ND Lens Adapter is NOT using two pieces of polarizing glass. and is instead using a single sheet of glass (with liquid crystals) and uses electricity to adjust and vary the amount of ND. This is similar to the technology found in the new Sony FS5 camera. Aputure also claims that there are no color shifts happening during the process of varying the amount of ND applied.

At the minimum ND8 you're looking at about 3 Stops of ND Applied. The darkest ND applied on the Vari-ND is about 11 stops. ND8 (3 Stops) is pretty dark and something you won't be using indoors. Outdoors, you'll find the the Vari-ND useful especially when shooting at F/2.8 or wider. You'll notice in my video test there are steps between what i'm actually calling out (stops between ND8 and ND16, etc). Aputure claims they may be able to add a firmware update that allows smooth ND transitions instead of the stepping it has now (similar to how the Sony FS5 operates).

Summary
The line of Aputure DEC Lens Adapters are certainly very unique and offers features in a form factor and price that can't be found in any other tool. You can visit their website for additional information about the complete line of Aputure DEC Lens Adapters (found here).

aputure dec vari-nd lens adapter lensregain
check latest pricing Aputure DEC - Lens Adapter + Vari-ND + Lens Regain

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