DIY Video and Photography Projects

NEW CAME-TV SINGLE Pistol Grip Gimbal Stabilizer and CAME-MINI Version 2 Tool-Less Gimbal
May 21, 2015


CAME-TV has just posted two new gimbal stabilizers on their website. The first is a new version of the CAME-MINI which has been upgraded to incorporate a quick release plate and tool-less adjustments around the frame. They are labeling this as the CAME-MINI 2. Below is a video they posted on their YT channel about the new changes.

CAME-TV Mini Gimbal 2 version 2CAME-MINI 2 Gimbal Stabilizer
find-price-button CAME-TV CAME-MINI 2 Stabilizer 3-Axis Gimbal

The next new product is a new single handed pistol grip style gimbal stabilizer that I think is really going to be appealing to the growing mirrorless market. The new CAME-TV ‘SINGLE’ works with a 32-bit board (as opposed to 8-bit), and the largest Brushless Motors i’ve seen on any pistol grip style gimbal. It also incorporates a quick release plate and tool less adjustments.

CAME-MINI Gimbal stabilizer CAME-SINGLE
find-price-button CAME-TV SINGLE 3-Axis Pistol Grip Style Gimbal Stabilizer

Obviously the unit seen in images and in video are still prototype and will most likely be black anodized for production. Expected to begin shipping in mid June 2015, the new CAME-TV SINGLE is already open for Pre-orders which includes an early bird discount. There are additional photos over at the product page (found here).

Came-single mini gimbal single handed pistol grip style gimbalCame-tv Single Handed Gimbal
find-price-button CAME-TV SINGLE 3-Axis Pistol Grip Style Gimbal Stabilizer

In other news CAME-TV has reduced pricing across many of the CAME 8000, CAME 7800 (old version), CAME 7500, and CAME 7000. Make sure to visit their website to see the new pricing.

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Manfrotto 438 Ball Leveler for Fast Fluid Video Head Leveling
May 21, 2015


Bowl mount tripods are a good solution for fast leveling. You don’t have to bend over and fuss with the tripod legs. This is especially helpful when you have a top heavy setup. But if you already have a favorite tripod with telescoping neck, and a favorite 3/8 flat mount Video Head, you can get those fast leveling benefits using a compact leveling head like the Manfrotto 438 Compact Leveling Head.

The Manfrotto 438 Compact Leveling Head fits on a standard 3/8 tripod base between the center column and fluid head of your choice. You can use it also use it under the Fluid Head when mounted on a slider for easy leveling. This Manfrotto compact leveler adds about 2″ to your setup, can support up to 33 lbs, an range adjustment of 10º degrees. Check out the options below for some similar products.

Manfrotto
554093
find-price-button Manfrotto 438 Compact Leveling Tripod Level

There are a few other options for a Tripod Leveling base starting from $80 dollars upwards to more than $300. The Manfrotto is a nice balance between build quality and price at about $82 dollars. Below are a few other options for a Tripod leveling base.

SunwayFoto
886344
find-price-button SUNWAYFOTO 66mm Tripod Leveling Base DYH-66 Sunway

Acratech
431861
find-price-button Acratech Leveling Base, Fits All Standard 3/8-16 Tripod Heads

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NAB 2015 Dracast PLUS Series LED Light Panels
May 21, 2015


NAB 2015, John from Dracast breaks down the new PLUS series of Dracast LED Panels. The Dracast PLUS panels come standard in Aluminum Chassis for durability and carry a 93-95 CRI Rating.

Dracast Plus LED Video LightsDracast Plus series led lighting

A new full readout digital display upgrades the user interface, and new electronics have been added for Smoother step-less dimming. DMX Controls are now standard and can be used with Various battery power solutions (v-mount, gold mount).
Optional modifiers can be added such as Barndoors, Chimera, etc.

For more information about Dracast PLUS Series LED Video Lights, check out their website at Dracast.com (here).

Dracast Plus series led video light panels high cridracast led plus series
Learn-More-sm Dracast PLUS Series LED Video Lighting

NAB 2015 Platinum Sponsors

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NAB 2015 Lensse Dual Follow Focus S5
May 21, 2015


Lensse recently released a new Dual Follow Focus called the S5. At NAB 2015, I finally had a chance to test the unit out in person. The black anodized metal body S5 uses a quick 15mm clamp for mounting, incorporates A/B hard stops, 360 degree rotating marking indicator, front or rear mounted gear design, Left or Right handed operation, and adjustable focus drag.

For a very very limited time, if you opt to use COUPON CODE: cheesycam50, you’ll receive $50 USD off the retail price. For more information about the Lensse Dual Follow Focus S5, visit their website at Lensse.com (here).

lensse dual follow focus s3

lens dual follow focus systemdslr video follow focus hard stops
find-price-button Lensse S3 Dual Follow Focus Hard Stops Marking Discs

NAB 2015 Platinum Sponsors

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SteadyGim3 EVO 3-Axis Handheld Gimbal for GoPro HERO3 HERO4
May 19, 2015


The guys over at XPROHELI (makers of the Silk 3-Axis Gimbal) reached out to share a tutorial video about the new SteadyGim3 EVO GoPro Gimbal. I personally can’t speak about the performance of this gimbal (yet), but they mentioned they would send me a unit to test out. I have the perfect opportunity this week to get some great footage, so i’ll do my own follow up review after my trip. I’m not sure what more I can add, as their video (below) seems to really cover everything you need to know.

Features:
Sleek elegant design – no wires!
Supplement your GoPro’s Battery with the included charging cable
7-12 hours of battery life provides long field use without having to change batteries.
Compatible with the Lumenier Layer Lens and Blurfix Air Lenses for GoPro Hero 3, Hero 4
Plug and Play, Ready to Use out of the box – no software configuration necessary
Comes with four rechargeable batteries and one battery charger. Each battery type is 18650, and rated 3.7 volts @2000mAh.
Supports Remote Control Operation through remote accessory (offered in options above)
Compatible with GoPro LCD BacPac or battery bacpac
High torque motors provide better stabilization for different camera configurations and for high speed applications.
No judder or jerking in 360-degree rotation.

BeStable-Steadygim3-EVO-2_1

The SteadyGim3 will work with a naked GoPro (no case), or with the GoPro LCD BacPac attached. Two sets of screws are included depending on the setup you choose. The SteadyGim3 is also strong enough to keep the GoPro balanced even while using Lens Adapters such as the slide on Polar Pro ND Filter, which is awesome to use outdoors. The team even managed to use Garmin’s latest action camera and you can see that great video example and a full write-up over at the SteadyGim3 EVO product page (found here).

BeStable-Steadygim3-EVO-1_1_largeBeStable SteadyGim3 GoPro Gimbal Review
find-price-button SteadyGim3 EVO 3-Axis Handheld Gimbal for GoPro HERO3 HERO4

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New Alzo Telescoping Rod Support Brace For Sliders
May 19, 2015


The new Alzo Support Brace is a telescoping rod that can extend from 20 in to 55 in. and attaches to the end of a slider with a 1/4 x 20 screw thread. Designed to be used with the new Alzo Radius (curved or straight combo video slider) that will be released later this year.

alzo radius video slider
NAB 2015 Alzo Booth – Alzo Radius Slider Transforms from Curved to Straight Linear Tracking

The Support Brace offers more stable support and allows you to use one tripod (as opposed to two) under long video sliders. This brace will prevent the slider from ’sagging’ as your camera reaches opposite ends.

alzo_video_4

Both ends of the Telescoping Support Brace are connected to a ball mount for easy positioning. Though the Radius Slider is not yet available, the new Alzo Support Brace can be purchased now. The Alzo Support Brace is sold with or without the super clamp (saving you money if you already own a Super Clamp), and starts for around $46 dollars.

alzo slider support brace telescopingslider-stabilizer-detail-1-200hslider-stabilizer-detail-2-200h
find-price-button Alzo Telescoping Support Brace

NAB 2015 Platinum Sponsors

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Cinevate MODO – Motion Timelapse System for Duzi Slider
May 19, 2015


For those of you who picked up a Cinevate Duzi Slider (see our Duzi v1 review here), the MODO add-on will allow you to perform Timelapses with ease.

Say goodbye to cables, chargers, batteries, belts, and programming. Say hello to Modo.

What is Modo?
Modo is affordable, effortless, and precise motion timelapse for the Duzi Slider.

Features:
Complete mechanical drive does not require power or batteries
No controllers, cables, or programming necessary
Effortlessly change from timelapse to manual slider mode in seconds
2 speed capability (24 inches/hour & 34 inches/hour)
Works under extreme weather conditions
Max capacity of 15 lbs when level
Integrated bubble level
Solid CNC machined aluminum
Speed upgrades available (12 inches/hour & 17 inches/hour)
Compatible with Modo multi-axis pan & tilt (coming soon)
- See more at: http://www.cinevate.com/store2/modo.html#sthash.NDE4uRFe.dpuf

Cinevate ModoCinevate-modo-timelapse
Learn-More-sm Cinevate MODO – Motion Timelapse System for Duzi Slider

Cinevate Duzi v3 Slider
find-price-button Cinevate DUZI Video Slider v3

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New Upgraded Rode VideoMic Pro with Rycote Lyre Suspension
May 18, 2015


Rode is possibly the most popular on-camera microphone especially when it comes to DSLR Video shooters. Rode makes a number of different types of microphones, but as far as compact shotgun style shoe mounted microphones go, they offered three main types. On the low end, there is the “Rode VideoMic Go” (requires plug-in power and no Selectable 10 or 20dB Pad). The middle product is the Rode VideoMic” (can be battery powered with Selectable 10 or 20dB Pad). On the high end there’s the more compact “Rode VideoMic Pro” (Battery powered with Selectable -10 or 20dB Pad).

rode_videomic_go_videomic_go_on_camera_shotgun_1012003 rode_videomic_r_videomic_with_rycote_lyre_917425 Rode_VIDEOMIC_PRO_VideoMic_Pro_Compact_Shotgun_744768

Even though the VideoMic GO was a lower end microphone, it had the best suspension system using the Rycote Lyre. The original Rode VideoMic also received a Rycote Lyre suspension upgrade from a previous rubber band style shock mount. Unfortunately over several years, Rode did not get around to upgrading the shock mount of the more professional and compact Rode VideoMic Pro.

Well the good news has finally arrived. Officially today Rode has announced that much needed upgrade and the latest Rode VideoMic Pro now comes with the Rycote Lyre suspension.

For those who have the original Rode VideoMic Pro, unfortunately you cannot simply buy the Rycote suspension to upgrade your old one. You also can’t use your old Furry Windscreen (deadcat), on the new VideoMic Pro. You’ll need to use the new Furry Windscreen that will be designed specifically for the VMPR (R for Rycote).

Rode videomic pro rycote lyre

RØDE VIDEOMIC PRO GETS UPGRADE WITH RYCOTE ONBOARD

Tuesday May 19th, 2015, Sydney Australia – Pro-audio brand RØDE Microphones is announcing an upgrade to its number one selling microphone worldwide, the VideoMic Pro.

Originally released in 2010, the VideoMic Pro quickly became an industry standard on-camera shotgun microphone for professionals and enthusiasts alike. With its small form factor, superior audio quality and industry first +20db level boost, it was the perfect companion for DSLR cameras as they became the go-to device for high definition video capture.

Determined to raise the bar again in 2015, RØDE’s all new VideoMic Pro will feature the acclaimed Rycote Lyre suspension system, along with an upgraded microphone capsule, improving both the physical characteristics and audio performance of the microphone.

Already implemented on the VideoMic and VideoMic GO, the Rycote Lyre suspension system is widely regarded as the best microphone shock mounting solution available. Featuring a suspension structure composed of a hard-wearing thermoplastic, it is far more effective at minimising unwanted vibrations, handling and cable-borne noise than traditional elastic suspensions. Virtually indestructible, the Rycote Lyre will never sag, snap, wear out or require rethreading to maintain its effectiveness.

Completing the upgrade is an all-new microphone capsule, giving the 2015 VideoMic Pro even higher sensitivity and lower self-noise, ensuring crystal clear audio capture over a wider dynamic range.

“The VideoMic Pro was a revelation for DSLR users the world over, making broadcast quality audio accessible to everyone at an affordable price” comments Damien Wilson, RØDE’s Global Sales and Marketing Director. “Now we’re taking it to another level. With the Rycote Lyre upgrade, and an upgraded capsule, it’s now even better value for such an amazing broadcast quality product.”

The VideoMic Pro featuring Rycote Lyre suspension is shipping to authorised RØDE dealers now. For more information please visit www.rode.com/microphones/videomicpro.

rycote suspension microphone shotgun rode videomicpro rode videomic pro microphone suspension rycote
Learn-More-sm Rode VideoMic Pro with Rycote Lyre Suspension

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New Panasonic Lumix DMC-G7 4K Mirrorless MFT Digital Camera
May 18, 2015


Panasonic Lummix G7

Offering true recording versatility, the Panasonic Lumix DMC-G7 is a true hybrid mirrorless camera that blends 4K UHD video with advanced still capture and burst shooting capabilities. Revolving around a 16 MP Live MOS Micro Four Thirds sensor and Venus Engine 9 image processor, the G7 features notable low-light sensitivity to ISO 25600, continuous shooting to 8 fps with single-shot AF, as well as a trio of 30 fps shooting rates based on the 4K UHD video recording.

Complementing the fast burst shooting modes is an equally adept DFD autofocus system, which works to quicken focusing speeds and emphasize accurate subject tracking for consistently sharp imagery in fast-paced and trying working conditions. Rounding out the feature-set of the G7 is a contemporary body design accentuated by physical exposure control dials, six customizable function buttons, both a high-resolution EVF and 3.0″ tilting touchscreen LCD, and built-in Wi-Fi for wireless sharing and remote camera control. Bridging the gap between stills and video, the Lumix DMC-G7 pairs these two high-resolution mediums with refined focusing and shooting controls for the utmost in shooting versatility.

16 MP Live MOS Sensor and Venus Engine 9
A 16 MP Live MOS Micro Four Thirds sensor pairs with an updated Venus Engine 9 to deliver fast overall performance with matched image quality to suit working in a wide variety of lighting conditions with consistent results. Sensitivity ranges from ISO 200 to 25600, with the ability to extend down to ISO 100 for working in bright conditions or with longer shutter speeds. Versatile burst shooting modes also allow you to pair high continuous shooting rates with AF; including shooting up to 8 fps with AF-S, 6 fps with AF-C in one area, and 6 fps during live view. For even faster performance, up to 40 fps shooting is possible with the electronic shutter function or 30 fps at 8 MP using the 4K Photo Modes.

The sensor and processor combination also helps to ensure notable image quality through the use of accurate white balance settings, Live TTL direct exposure metering, and intelligent NR (Noise Reduction) control for clean, natural imagery. Additionally, the Venus Engine 9 aids in reducing image blur caused by diffraction using electronic adjustment to automatically sharpen edges for clearer results when photographing with smaller aperture sizes.

4K UHD Video Recording
In addition to the versatile still shooting modes, the G7 also supports recording 4K UHD (3840 x 2160) video with either 30p or 24p frames rates at 100Mbps in the MP4 format. Full HD 1080p/60 is also supported, in both MP4 and AVCHD formats, as well as HD and SD resolutions.

A built-in stereo microphone can be used during recordings, and features an integrated wind-cut filter, or an optional external microphone can be utilized via the 3.5mm jack for even clearer sound.

panasonic_dmc_g7hk_lumix_dmc_g7_mirrorless_micro_1148513 panasonic_dmc_g7ks_lumix_dmc_g7_mirrorless_micro_1148283
find-price-button Panasonic Lumix DMC-G7 4K Mirrorless MFT Digital Camera

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NAB 2015 – Aputure DEC Pro Lens Adapter Speedbooster Version
May 15, 2015


A few months ago, Aputure released the ‘DEC’ Lens Adapter, which is putting a new spin on Wireless Follow Focus systems. If you’re not familiar with what the Aputure DEC Lens Adapter is, take a look at my earlier video below. If you are already familiar, then skip this first video.

The DEC allows you to use a Canon EF or EF-S Autofocus lens and adapt it to a MFT (micro four-thirds) or Sony E-Mount camera. Although the camera itself can’t communicate with the lens, a wireless remote will allow you to change iris (aperture) and drive focus.

This is extremely useful when working with Gimbal stabilizers when you can’t physically pull focus on the lens by hand. Just clamp the wireless remote to the handle of your gimbal. The exciting news demonstrated for us at NAB 2015 is that they will have a ‘DEC PRO’ version which will include a ‘Focal Reducer’ a.k.a ‘Speedbooster’ optical element offering up a wider field of view and an extra stop.

The DEC PRO version will hopefully be out later this year and will be a huge asset to small sensor cameras like the BlackMagic Pocket Cinema or Micro Cinema cameras. For cameras like the the Sony A7s which already offers a full frame the speedbooster is not required.

With lens adapters, being able to change the iris on EF autofocus lenses are key. For a price even cheaper than Metabones smart adapters, there’s a lot of functionality in the Aputure DEC and you can already purchase the original DEC Lens Adapter for Canon EF/EF-s to MFT or Sony E-Mount following the links below.

aputure dec lens adapter canon mft e-mount wireless follow focus
find-price-button Aputure DEC Lens Adapter + Wireless Follow Focus – via Amazon

Aputure DEC Lens Adapter wireless follow focus
find-price-button Aputure DEC Lens Adapter + Wireless Follow Focus – via eBay

NAB 2015 Platinum Sponsors

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Switronix Launches New Battery Solutions – NAB 2015
May 14, 2015


Has it happened to you? You’re right in the middle of an interview and all of a sudden one light goes out. It appears the battery in your light has died and so you have to basically start that interview process over. If only you had one central interface to be able to view the power levels of every battery on set, knowing exactly how much time you have left, and which ones need to be swapped out. Well, now there is such a tool.

Our friends with Runplayback.com coverage at NAB 2015 visits the Switronix booth showcasing new battery solutions and battery management systems. Some of their latest items on the floor like the VoltBridge, a battery level monitor platform that utilizes a Bluetooth transmitter and mobile app; the Hypercore Prime, a 2-part designed, TSA travel friendly battery pack and the Hypercine, a block battery that can be used to power multiple battery packs while providing 392wh as one unit.

For more information about these Switronix products and accessories, visit their company website at switronix.com

voltbridge
Learn-More-sm Switronix VoltBridge

hypercoreprime
Learn-More-sm Switronix Hypercore Prime

hypercine
Learn-More-sm Switronix Hypercine

NAB 2015 Platinum Sponsors

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NAB 2015 F&V Introduces Huge LED Ring Light K4000 Upgrades 2×1 Panels
May 14, 2015


In my opinion, one of the most popular LED Ring lights available today is the F&V R300 (seen here). Obviously ring lights can provide a unique aesthetic for catch lights, but the R300’s were so powerful they can also be used to replace standard 1×1 light panels. They’ve even offered a softbox for the R300 to suppress spill and add more creative control over.

At NAB 2015, F&V introduced a new larger Z720 LED Ring Light. The larger diameter means the Z720 will work with larger cinema lenses, offer a wider spread, more power output, and provide more of that unique ‘ring light’ quality even at a distance. The Z720 can still be battery powered, is dimmable by quadrants, color temp adjustable, and can even be controlled wirelessly through an application from a smart device. Perfect when managing several lights simultaneously. The Z720 LED Ring light can also be used in an optional softbox operating as a basic LED Light panel.

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NAB 2015 F&V Large Portable Wireless Z720 LED Ring Light

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With the popularity of the softbox accessory for the R300, F&V has also designed one for their top selling K4000 panels. The new Wifi module seen from the Z720 can also be added to the K4000 panels, and for those wanting a larger light source, F&V offers 2×1 wide led panel options. Take a look at the NAB 2015 booth coverage video below.

For more information about F&V Lighting Products check out the website at http://fvlighting.com

k8000_plus_front-2kit_3bag_photo_2_light_kit_empty_800px_5
Learn-More-sm F&V LED Video Lighting and Accessories

NAB 2015 Platinum Sponsors

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NAB 2015- SHAPE iSEE Single Handle Gimbal Stabilizer for GoPro and DSLR
May 14, 2015


NAB 2015, SHAPE gives us an overview of two single handed pistol-grip style Gimbal stabilizers. The iSEE (for GoPro) and a larger iSEE+ designed for small DSLR or mirrorless Cameras. Each gimbal operates on two inexpensive and common Canon LP-E6 batteries, so you don’t need to sit around and recharge.

So while most GoPro gimbals don’t allow you to use the GoPro in it’s waterproof housing, the iSEE is designed for this. Other systems will probably not recommend using gimbals under wet conditions, but SHAPE doesn’t seem to have any issues getting their iSEE gimbal wet as seen in the video below.

So if you’re looking for a gimbal for any type of water or snowboarding activities, the iSEE may be a good choice. The decision for sticking to a 2-Axis system over a 3-Axis may be for the immediate responsiveness allowing for fast tracking and panning specifically needed in sports. For more information about SHAPE and the iSEE & iSEE+ Gimbal stabilizers, check out their website http://SHAPEWLB.com

isee gimbal shape shape isee plus gimbal stabilizer
find-price-button SHAPE iSEE / iSEE+ Gimbal Stabilizers

NAB 2015 Platinum Sponsors

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RodeLink FIlmmaker Wireless Lavalier Microphone Audio System Review and Distance Test
May 13, 2015


Here’s a look at the new RodeLink Filmmaker Wireless Audio System. In the video below i’ll show you the parts, basic setup, functions, and a quick distance test at the end of the video.

I haven’t done extensive tests, but in the short time i’ve been using the kit, it’s been nothing but solid performance. RODE is offering up quite a bit in this kit, along with a lav microphone that can be adapted for use with other systems. Another interesting feature is the RODELINK can be powered via AA batteries or powered through it’s USB port. I believe the USB port can be used for firmware upgrades as well.

For the price it’s hard to argue that this is a must have piece of kit everyone should have in their bag. If you’ve been looking to get a wireless kit, I wouldn’t wait too long. The price is right, and I feel these items will continue to sell out for sometime. It’s still unclear if prices will go up to the list price of $599, but right now Pre-Orders are currently listing for just $399 (found here).

Rode Wireless FIlmmaker Kit
find-price-button Rode Wireless Filmmaker Kit – Wireless Lav Mic System

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NAB 2015 LIBEC ALLEX Modular Sliders and Tripod Kits
May 13, 2015


NAB 2015, Libec introduces new lengths for ALLEX Video Sliders, and a new modular system that allows you to change the length of your sliders.

LIBEC_ALLEX_2

LIBEC_ALLEX

More informatoin about the Libec ALLEX Video Slider, Fluid Video Heads, and Tripod Kits can be found on the website http://www.libecsales.com/

NAB 2015 Platinum Sponsors

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NAB 2015 Lanparte Handheld Gimbal for Smartphones + GoPro Cameras
May 11, 2015


NAB 2015, we check out the Lanparte booth. A popular item on the floor was the Lanparte HHG-01 3-Axis Gimbal for smartphones. Although the gimbal was originally released for smartphones, add-on adapters allow you to expand it’s versatility. The HHG-01 can operate with both now lets you use the same Gimbal with a GoPro camera.

Aside from the GoPro adapter, new accessory clamps have been designed for the HHG-01 to fit over the handle so that you can attach an accessory such as an external monitor or microphone. Sure you can use a smartphone to stream a live video feed from a GoPro camera, but not all framerates or resolutions are available for preview on the application. In this scenario it’s benefiical to work with an external HDMI monitor with the GoPro.

For more information about these Lanparte products and accessories, visit their company website at http://Lanparte.com

lanparte smartphone lanparte gimbal
Learn-More-sm Lanparte HHG-01 3-Axis Gimbal Smartphone or GoPro HERO

NAB 2015 Platinum Sponsors
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